︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00129
From Kinga Oktabska’s studio: fragmented landscapes & found histories
Kinga Oktabska
Battersea
,
Brick
,
Community
,
Development
,
Drawing
,
Factory
,
Fragments
,
Gentrification
,
Hypha Studios
,
Landscape
,
Lower Silesia
,
Metalpoint
,
Mudlarking
,
Nine Elms
,
Kinga Oktabska
,
Pebbles
,
Pipes
,
Poland
,
Porcelain
,
Property
,
River
,
River Thames
,
Rubble
,
Silk
,
Stories
,
Studio
,
Thames
,
Tide
,
Pawel Tomaszewski
,
Waste
00060
Faded fairgrounds: Dave Clarkson’s sonic seaside trip
Album
,
Ambient
,
Amusement Park
,
Amusements
,
Ballroom
,
Dave Clarkson
,
Collage
,
Development
,
Dreamland
,
TS Eliot
,
Fairground
,
Funfair
,
Gentrification
,
Hauntology
,
Margate
,
Memory
,
Montage
,
Music
,
Nostalgia
,
Seaside
,
Soundscape
,
Sound art
,
Technology
,
The Waste Land
00014
Stanley Greenberg’s photographs of a changing New York
Stanley Greenberg
Karrie Jacobs
Architecture
,
City
,
Codex New York
,
Development
,
Stanley Greenberg
,
Karrie Jacobs
,
Landscape
,
Monacelli Press
,
New York
,
Photography
,
Urban
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Venice
Biennale 2025: part 3,
the 
