︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00304
Venice Biennale 2025: part 1, the good
Tea Ala-Ruona
,
AMO/OMA
,
Arsenale Institute for Political Representation
,
Tolia Astakhishvilli
,
Bahrain
,
John Baldessari
,
Barricades
,
Belgium
,
Bodies
,
Canada
,
Gaëlle Choisne
,
Albrecht Dürer
,
Fondazione Prada
,
Fondazione Querini Stampalia
,
Gallerie dell'Accademia
,
Giorgione
,
GRACE
,
Ireland
,
Rem Koolhaas
,
Living Room Collective
,
Luxembourg
,
Stefano Mancuso
,
Michelangelo
,
Montenegro
,
Museu Correr
,
Netherlands
,
Nicoletta Fiorucci Foundation
,
Nordic Pavilion
,
Hans Ulrich Obrist
,
OMA
,
Jorge Orta
,
Lucy Orta
,
Poland
,
Antonio Rizzo
,
Emir Šehanović
,
Serbia
,
Carlo Scarpa
,
Scuola Piccola Zattere
,
Harry Seidler
,
Slovenia
,
SMAC
,
Bas Smets
,
SPARC
,
Ivan Šuković
,
Sun Heliocomplex
,
Dejan Todorović
,
Uzbekistan
,
Venice
,
Venice Biennale
,
Leonardo da Vinci
,
Jung Youngsun
,
Miljana Zeković
00129
From Kinga Oktabska’s studio: fragmented landscapes & found histories
Kinga Oktabska
Battersea
,
Brick
,
Community
,
Development
,
Drawing
,
Factory
,
Fragments
,
Gentrification
,
Hypha Studios
,
Landscape
,
Lower Silesia
,
Metalpoint
,
Mudlarking
,
Nine Elms
,
Kinga Oktabska
,
Pebbles
,
Pipes
,
Poland
,
Porcelain
,
Property
,
River
,
River Thames
,
Rubble
,
Silk
,
Stories
,
Studio
,
Thames
,
Tide
,
Pawel Tomaszewski
,
Waste
TRAVEL
ABOUT
NEWSLETTER
INDEX
︎
Venice
Biennale 2025: part 3,
the 
