︎
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
00272
Leonardo Drew has created a motionless explosion in the South London Gallery
Will Jennings
Apocalypse
,
Cartoon
,
Leonardo Drew
,
Eruption
,
Explosion
,
Fragments
,
Theaster Gates
,
Thomas Hirschorn
,
Will Jennings
,
Louise Nevelson
,
Pablo Picasso
,
Sculpture
,
South London Gallery
,
Wood
00116
Sculpting the urban guts: an interview with Holly Hendry
Joseph Bazalgette
,
Brexit
,
Cartoon
,
Comic
,
Covid
,
De La Warr Pavilion
,
Earth
,
Engineering
,
Fear
,
Flow
,
Goldsmiths CCA
,
Holly Hendry
,
Horror
,
London
,
Pipes
,
Sewerage
,
Sewer
,
Temple
,
The CoLAB
,
Thames Tideway Tunnel
,
The Artists Garden
,
theCoLAB
,
Underground
,
Ventilation
,
Who Framed Roger Rabit
,
Wave
,
Weave
,
Worms
00031
Domestic anxiety: Tomaso De Luca‘s property traps
Cartoon
,
Pauline Curnier Jardin
,
Droog
,
Installation
,
Tomaso De Luca
,
Francesco Urbano Ragazzi
,
Gentrification
,
LIAF
,
Lofoten International Art Festival
,
Politics
,
Property
,
Sculpture
,
Trap
,
Venice Biennale
,
Video
,
Violence
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