︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00129
From Kinga Oktabska’s studio: fragmented landscapes & found histories
Kinga Oktabska
Battersea
,
Brick
,
Community
,
Development
,
Drawing
,
Factory
,
Fragments
,
Gentrification
,
Hypha Studios
,
Landscape
,
Lower Silesia
,
Metalpoint
,
Mudlarking
,
Nine Elms
,
Kinga Oktabska
,
Pebbles
,
Pipes
,
Poland
,
Porcelain
,
Property
,
River
,
River Thames
,
Rubble
,
Silk
,
Stories
,
Studio
,
Thames
,
Tide
,
Pawel Tomaszewski
,
Waste
00044
Goldsmiths degree show: the highlights
Will Alsop
,
Anthropocene
,
Archaeology
,
Baking
,
Tom Bull
,
Bones
,
Ceramics
,
Concrete
,
Degree show
,
Pascal Marcel Dreier
,
Ecology
,
Far right
,
Film
,
Flour
,
Foreshore
,
Ali Glover
,
Goldsmiths College
,
Grain
,
Homosexuality
,
Horticulture
,
Industrial
,
Installation
,
Jean-François Krebs
,
Luxury
,
Chris MacInnes
,
Marble
,
Monster
,
Mundanity
,
Notes
,
Office
,
Painting
,
Barney Pau
,
Queer
,
Rural
,
Sheffield
,
Thatch
,
Trauma
,
Trompe l'oeil
.
Jacob George Wilson
,
Scott Young
,
Sculpture
,
Sound
,
Thames
,
University of London
,
Video
,
Anna Wachsmuth
,
Warehouse
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Venice
Biennale 2025: part 3,
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