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Burn the Sheets: an exhibition on the making of trans domesticity

Barney Pau
Goodwood & the art of slowing down
Venice Biennale, 28 days later

Yuki Sumner
Leonardo Drew has created a motionless explosion in the South London Gallery

Will Jennings

Empty chairs & liminal spaces: Alexandra Metcalf’s Gaaaaaaasp

Rochelle Roberts

V&A East Storehouse is a thrilling meta-museum for the future

Will Jennings













00129
From Kinga Oktabska’s studio: fragmented landscapes & found histories

Kinga Oktabska 

Battersea, Brick, Community, Development, Drawing, Factory, Fragments, Gentrification, Hypha Studios, Landscape, Lower Silesia, Metalpoint, Mudlarking, Nine Elms, Kinga Oktabska, Pebbles, Pipes, Poland, Porcelain, Property, River, River Thames, Rubble, Silk, Stories, Studio, Thames, Tide, Pawel Tomaszewski, Waste



00044
Goldsmiths degree show: the highlights

Will Alsop, Anthropocene, Archaeology, Baking, Tom Bull, Bones, Ceramics, Concrete, Degree show, Pascal Marcel Dreier, Ecology, Far right, Film, Flour, Foreshore, Ali Glover, Goldsmiths College, Grain, Homosexuality, Horticulture, Industrial, Installation, Jean-François Krebs, Luxury, Chris MacInnes, Marble, Monster, Mundanity, Notes, Office, Painting, Barney Pau, Queer, Rural, Sheffield, Thatch, Trauma, Trompe l'oeil. Jacob George Wilson, Scott Young, Sculpture, Sound, Thames, University of London, Video, Anna Wachsmuth, Warehouse



   

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