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The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
00031
Domestic anxiety: Tomaso De Luca‘s property traps
Cartoon
,
Pauline Curnier Jardin
,
Droog
,
Installation
,
Tomaso De Luca
,
Francesco Urbano Ragazzi
,
Gentrification
,
LIAF
,
Lofoten International Art Festival
,
Politics
,
Property
,
Sculpture
,
Trap
,
Venice Biennale
,
Video
,
Violence
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