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recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the ugly

Venice Biennale 2025: part 2, the b
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Venice Biennale 2025: part 1, the good

Temporary & permanent culture finds a place in Middlesbrough

Will Jennings

The recessed.space highlights from Frieze Art Fair 2025











00198
Creation from collapse at Towner Eastbourne: Emma Stibbon’s shoreline research

Blair Kern

Anthropocene, Chalk, Cliffs, Climate change, Coast, Coastline, Collapse, Ice, Land, Eastbourne, Erosion, Blair Kern, Norway, Ocean, Postcards, Sea, Emma Stibbon, Sussex, Svalbard, Tides, Towner Eastbourne, Waves



00140
Jesse Darling at the Turner Prize: a civic waste land

Anthropomorphism, Barbed wire, Barrier, Body, Billboard, Bunting, Civic, Control, Jesse Darling, Enclosure, Infrastructure, Installation, Ladder, Maypole, Power, Ritual, Rollercoaster, Sculpture, Society, Surveillance, Tate, The Turner Prize, Threshold, Towner Eastbourne



00123
Art, architecture & wine in the Sussex landscape

Ashling Park Estate, John Akomfrah, Frank Auerbach, Pablo Bronstein, Leonora Carrington, Chichester, Salvador Dalí, Tacita Dean, Kaye Donachie, Gwen John, Idris Khan, Lothar Götz, Will Hardie, Lubaina Himid, Landscape, MJ Long, Lee Miller, Joan Miró, René Magritte, Marilyn Monroe, Annie Morris, Nature, Newlands House Gallery, Helmut Newton, Pallant House Gallery, Harold Peto, Petworth, Petworth House, Pablo Picasso, Colin St John Wilson, Sean Scully, South Downs National Park, Sussex, Sussex Modern, Tinwood Estate, Liliane Tomasko, Towner Eastbourne, Travel, Turner Prize, Vineyard, West Dean College, Wine, Wiston Estate Winery, Wright & Wright, James Wyatt



00041
Weaving visibility: Andrea Mindel’s public embroidery

Jordan Whitewood-Neal

Covid, Dada, DASH, Disability, Embroidery, Hair, Tony Heaton, Mike Layward, Rick Mather Architects, Andrea Mindel, Georges Perec, Terry Smith, Towner Eastbourne, We are Invisible We are Visible, WAIWAV, Jordan Whitewood-Neal, Aaron Williamson



   

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