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Post-industrial clay: the British Ceramics Biennial in Stoke-on-Trent

Veronica Simpson
Tolia Astakhishvili’s architectural excavation in Venice changes the way artists use the city

Will Jennings
An interview with Derrick Adams on the spaces of Black America
A visit to Hauser & Wirth LA: architecture, gardens, food & art
Edinburgh Art Festival 2025: our highlights
Learning how to live at Venice Biennale

Rob Fiehn












00123
Art, architecture & wine in the Sussex landscape

Ashling Park Estate, John Akomfrah, Frank Auerbach, Pablo Bronstein, Leonora Carrington, Chichester, Salvador Dalí, Tacita Dean, Kaye Donachie, Gwen John, Idris Khan, Lothar Götz, Will Hardie, Lubaina Himid, Landscape, MJ Long, Lee Miller, Joan Miró, René Magritte, Marilyn Monroe, Annie Morris, Nature, Newlands House Gallery, Helmut Newton, Pallant House Gallery, Harold Peto, Petworth, Petworth House, Pablo Picasso, Colin St John Wilson, Sean Scully, South Downs National Park, Sussex, Sussex Modern, Tinwood Estate, Liliane Tomasko, Towner Eastbourne, Travel, Turner Prize, Vineyard, West Dean College, Wine, Wiston Estate Winery, Wright & Wright, James Wyatt



00050
Echoing the architecture: Trevor Mathison’s sculpted sound

Robert Barry

Martina Attille, Reece Auguiste, John Akomfrah, Assemble, Robert Barry, Maureen Blackwood, Appau Jnr Boakye-Yiadom, Ceddo Film and Video Workshop, Collage, Dubmorphology, Film, Oliver Fuke, Edward George, Goldsmiths CCA, Lina Gopaul, Handsworth Songs, Isaac Julien, Nadine Marsh-Edwards, Trevor Mathison, Music, Patina, Recording, Sankofa Film and Video Collective, Gary Stewart, Sonic, Sound, Strata, Paloma Strelitz



   

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