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The house as self-portrait: John Soane’s words through an artistic gaze

Rochelle Roberts

The Orobie Biennial puts art into the Bergamasque Prealps

Will Jennings

recessed.space: Ground Collective communicate with silent rivers

Venice Biennale 2025: part 3, the
ugly

Venice Biennale 2025: part 2, the b
ad

Venice Biennale 2025: part 1, the good











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Venice Biennale 2025: part 3, the ugly

Thomas Heatherwick, Heatherwick Studio, Humanise, Karrie Jacobs, Michal Murawski, Politics, Russia, Ukraine, Venice, Venice Biennale



   

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