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recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the ugly

Venice Biennale 2025: part 2, the b
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Venice Biennale 2025: part 1, the good

Temporary & permanent culture finds a place in Middlesbrough

Will Jennings

The recessed.space highlights from Frieze Art Fair 2025











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Art & music combine in The Vinyl Factory’s immersive soundscape

180 Studios, Cecilia Bengolea, Columbia Records, Dance, Es Devlin, Stan Douglas, Film, Theaster Gates, Jean Luc Godard, The Vinyl Factory, Ben Kelly, Jenn Nkiru, Music, Sound, Stage, Vinyl



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Eurovision architecture: a conversation with stage designer Julio Himede

Julio Himede

Eurovision, Julio Himede, Immersive, Lights, Liverpool, Music, Performance, Rhino, Set design, Stage, Television, TV, Ukraine, Video, Yellow Studio



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12 top picks from Milan’s miart art fair

Yuri Ancarani, Archeology, Art fair, Bel Ami, Ruth Beraha, Pedro Cabrita Reis, Duilo Cambellotti, Concrete, Marcus Cope, Copetti Antiquari, Crack, Curtain, Destruction, Dreams, Dušan Džamonja, eastcontemporary, Film, Darren Flook Gallery, Andrea Francolino, Galleria Fumagalli, Gian Marco Casini Gallery, Glass, Glendale, Olivia Hill, Illustration, Installation, Emilia Kina, Landscape, Los Angeles, Mai 36 Galleri, Mazzoleni, miart, Milan, Margherita Moscardini, Model, William Morris, Mosque, Nature, Ncontemporary, Opera, PAC, Padiglione d’Arte Contemporanea, Painting, Photography, Anne and Patrick Poirier, Primo Marrella Gallery, Psychology, Ruin, Sand, Sandcastle, San Siro, Sculpture, Stadium, Stage, Stained glass, Urban, Paul Virilio, He Wei, Window, Wood, ZERO



   

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