︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00101
Drawing a line from past to future: Norman Foster at the Centre Pompidou
Apple
,
Barn
,
Car
,
Umberto Boccioni
,
Constantin Brancusi
,
Richard Buckminster Fuller
,
Centre Pompidou
,
Computer
,
Diorama
,
Drawing
,
Engineering
,
Norman Foster
,
Foster + Partners
,
Birkin Haward
,
Helmut Jacoby
,
Steve Jobs
,
Sol Lewitt
,
University of Manchester
,
Frédéric Migayrou
,
Model
,
Paris
,
Pencil
,
Photography
,
Narinder Sagoo
,
Sketch
,
Sketchbook
,
Ai Weiwei
,
Windmill
,
Armstrong Yakubu
00052
A flâneur in uncanny valley: traversing the digital landscape
Cory Arcangel
,
Archaeology
,
Rowland Atkinson
,
Capability Brown
,
Alan Butler
,
Computer games
,
Digital
,
Games
,
Lorna Ruth Galloway
,
Grand Theft Auto V
,
GTA V
,
Roc Herms
,
Landscape
,
Los Santos
,
Mario
,
Joan Pamboukes
,
Play
,
SNES
,
Tabor Robak
,
Rockstar
,
Route 66
,
Ed Ruscha
,
Tank man
,
The Photographers Gallery
,
Tiananmen Square
,
Twentysix Gasoline Stations
,
Uncanny valley
,
Video games
,
Ai Weiwei
,
Paul Willis
00018
Cities & sculpture: An interview with Ai Weiwei
Ai Weiwei
Will Jennings
Architecture
,
Activism
,
Antiques
,
Beijing
,
Cambridge
,
Craft
,
Covid
,
Documenta
,
Domestic
,
Film
,
Hong Kong
,
Home
,
Infrastructure
,
Jade
,
Will Jennings
,
Kettle’s Yard
,
Landscape
,
Lisson Gallery
,
Marble
,
Material
,
Politics
,
Protest
,
Sculpture
,
Ai Weiwei
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︎
Venice
Biennale 2025: part 3,
the 
