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The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
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A new way of seeing: Thomas Huber’s landscapes
Robert Barry
Robert Barry
,
Ferdinand Hodler
,
Thomas Huber
,
Lake
,
Lake Lugano
,
Lugano
,
MASI Lugano
,
Mountain
,
Museo d’arte della Svizzera Italiana
,
Painting
,
Luigi Rossi
,
Richard Seewald
,
Switzerland
,
Félix Vallotton
,
Mariane von Werefkin
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