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Gaudí, Miró & Gomis at Casa Batlló: three artists in Barcelona
An interview with Sumayya Vally on architecture, community & Ibraaz

Swinging in the gallery: art meets golf at Battersea Arts Centre

An interview with Lord Cholmondeley on Houghton Hall’s history & future of contemporary art


Will Jennings

Listening to 17,000-year-old architecture: Oliver Beer at Thaddaeus Ropa
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Will Jennings

Curiosity triggered: Daiga Grantina’s sculptures dance with architecture at the Mead Gallery

Isabel de Vasconcellos










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MASI Lugano is the perfect base to explore the culture, architecture & landscapes of Switzerland

Will Jennings

Alps, Arman, Bally, Bally Foundation, Vanessa Beecroft, Hélène Bieber, Mario Botta, Jean Baudrillard, Alexander Calder, Campione d’Italia, Collezione Giancarlo e Danna Olgiati, Hugo Dunkel, Raphaël Emine, Gandria, Luigi Ghirri, Ittah Yoda, Ivano Gioanola, Thomas Huber, Will Jennings, Yves Klein, Lake, Lake Lugano, Landscape, Light, James Lingwood, Lugano, Map, MASI Lugano, Mountains, Palazzo Reali, Photography, Sculpture, Julia Steiner, Switzerland, Ticino architecture, Tourism, Villa Heleneum, Julius von Bismarck



00231
Venice 2024: Switzerland & LAS Art Foundation fuse architecture & technology to create immersive worlds

Accademia di Belle Arti di Venezia, Fatima al Qadiri, Andrea Bellini, Afrofuturism, Centre d’Art Contemporain Genève, Civilisation, Guerreiro do Divino Amor, Digital, Immersive, LAS Art Foundation, Josèfa Ntjam, Ocean, Rome, Science fiction, Space, Subaqua, Technology, Venice Biennale, Worldbuilding, Switzerland



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A new way of seeing: Thomas Huber’s landscapes

Robert Barry

Robert Barry, Ferdinand Hodler, Thomas Huber, Lake, Lake Lugano, Lugano, MASI Lugano, Mountain, Museo d’arte della Svizzera Italiana, Painting, Luigi Rossi, Richard Seewald, Switzerland, Félix Vallotton, Mariane von Werefkin



00114
In-between design & art: the sinister sci-fi of Audrey Large & Théophile Blandet

Will Jennings

3D printing, Baroque, BRH+, Gian Lorenzo Bernini, Théophile Blandet, Barbara Brondi, Centre d’art Contemporain Genève, Chair, Craft, Design, Digital, Floor, France, Furniture, Geneva, HR Giger, Industrial, Will Jennings, Audrey Large, lighting, Melting, Morphosis, Ovid, Plastic, Product design, Marco Rainò, Rococo, Sculpture, Suminagashi, Switzerland, Wood



   

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