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Manchester International Festival kicks off with an eclectic array of culture
How Uzbekistan’s incredible Sun Heliocomplex brought light to Venice Biennale
Will Jennings
A biennale that makes all the right calls: MOMENTUM 13 in Norway
Art
Robert Barry
An interview with Peter Cook about Archigram, drawing & building
Delaine Le Bas is stitching stories at Newcastle Contemporary Art
Will Jennings
Burn the Sheets: an exhibition on the making of trans domesticity
Barney Pau
00241
MASI Lugano is the perfect base to explore the culture, architecture & landscapes of Switzerland
Will Jennings
Alps
,
Arman
,
Bally
,
Bally Foundation
,
Vanessa Beecroft
,
Hélène Bieber
,
Mario Botta
,
Jean Baudrillard
,
Alexander Calder
,
Campione d’Italia
,
Collezione Giancarlo e Danna Olgiati
,
Hugo Dunkel
,
Raphaël Emine
,
Gandria
,
Luigi Ghirri
,
Ittah Yoda
,
Ivano Gioanola
,
Thomas Huber
,
Will Jennings
,
Yves Klein
,
Lake
,
Lake Lugano
,
Landscape
,
Light
,
James Lingwood
,
Lugano
,
Map
,
MASI Lugano
,
Mountains
,
Palazzo Reali
,
Photography
,
Sculpture
,
Julia Steiner
,
Switzerland
,
Ticino architecture
,
Tourism
,
Villa Heleneum
,
Julius von Bismarck
00231
Venice 2024: Switzerland & LAS Art Foundation fuse architecture & technology to create immersive worlds
Accademia di Belle Arti di Venezia
,
Fatima al Qadiri
,
Andrea Bellini
,
Afrofuturism
,
Centre d’Art Contemporain Genève
,
Civilisation
,
Guerreiro do Divino Amor
,
Digital
,
Immersive
,
LAS Art Foundation
,
Josèfa Ntjam
,
Ocean
,
Rome
,
Science fiction
,
Space
,
Subaqua
,
Technology
,
Venice Biennale
,
Worldbuilding
,
Switzerland
00148
A new way of seeing: Thomas Huber’s landscapes
Robert Barry
Robert Barry
,
Ferdinand Hodler
,
Thomas Huber
,
Lake
,
Lake Lugano
,
Lugano
,
MASI Lugano
,
Mountain
,
Museo d’arte della Svizzera Italiana
,
Painting
,
Luigi Rossi
,
Richard Seewald
,
Switzerland
,
Félix Vallotton
,
Mariane von Werefkin
00114
In-between design & art: the sinister sci-fi of Audrey Large & Théophile Blandet
Will Jennings
3D printing
,
Baroque
,
BRH+
,
Gian Lorenzo Bernini
,
Théophile Blandet
,
Barbara Brondi
,
Centre d’art Contemporain Genève
,
Chair
,
Craft
,
Design
,
Digital
,
Floor
,
France
,
Furniture
,
Geneva
,
HR Giger
,
Industrial
,
Will Jennings
,
Audrey Large
,
lighting
,
Melting
,
Morphosis
,
Ovid
,
Plastic
,
Product design
,
Marco Rainò
,
Rococo
,
Sculpture
,
Suminagashi
,
Switzerland
,
Wood
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