︎
A new way of seeing: Thomas Huber’s landscapes
Robert Barry
Aviva Studios in Manchester: a new type of cultural space awaiting new cultural ideas
Will Jennings
Capability Brown meets AI: the perverted nature of Daniel Ambrosi
Steve Taylor
Foto Industria: playing a photographic game across Bologna
Nyima Murry
Panorama L’Aquila: rebuilding a city with culture & gastronomy
Will Jennings
Carlo Zambon
Mancunian ecologies: A Fine Toothed Comb, curated by Lubaina Himid
Paul Dobraszczyk
00148
A new way of seeing: Thomas Huber’s landscapes
Robert Barry
Robert Barry
,
Ferdinand Hodler
,
Thomas Huber
,
Lake
,
Lake Lugano
,
Lugano
,
MASI Lugano
,
Mountain
,
Museo d’arte della Svizzera Italiana
,
Painting
,
Luigi Rossi
,
Richard Seewald
,
Switzerland
,
Félix Vallotton
,
Mariane von Werefkin
00114
In-between design & art: the sinister sci-fi of Audrey Large & Théophile Blandet
Will Jennings
3D printing
,
Baroque
,
BRH+
,
Gian Lorenzo Bernini
,
Théophile Blandet
,
Barbara Brondi
,
Centre d’art Contemporain Genève
,
Chair
,
Craft
,
Design
,
Digital
,
Floor
,
France
,
Furniture
,
Geneva
,
HR Giger
,
Industrial
,
Will Jennings
,
Audrey Large
,
lighting
,
Melting
,
Morphosis
,
Ovid
,
Plastic
,
Product design
,
Marco Rainò
,
Rococo
,
Sculpture
,
Suminagashi
,
Switzerland
,
Wood
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