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A dislocated image of 14th century Siena at the National Gallery

Tom Denman

Marshmallow Laser Feast have created an immersive study of one of Kew Gardens’ oldest trees

Will Jennings

10 galleries you should know about from Miart 2025 in Milan

The book & exhibitions of Hélène Binet’s photographs of Jewish country house
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Poetically tending Derek Jarman’s garden: Modern Nature at the Barbican


Will Jennings

The message is the bottle: Claes Oldenburg & Coosje van Bruggen in Middlesbrough


Steve Taylor













00241
MASI Lugano is the perfect base to explore the culture, architecture & landscapes of Switzerland

Will Jennings

Alps, Arman, Bally, Bally Foundation, Vanessa Beecroft, Hélène Bieber, Mario Botta, Jean Baudrillard, Alexander Calder, Campione d’Italia, Collezione Giancarlo e Danna Olgiati, Hugo Dunkel, Raphaël Emine, Gandria, Luigi Ghirri, Ittah Yoda, Ivano Gioanola, Thomas Huber, Will Jennings, Yves Klein, Lake, Lake Lugano, Landscape, Light, James Lingwood, Lugano, Map, MASI Lugano, Mountains, Palazzo Reali, Photography, Sculpture, Julia Steiner, Switzerland, Ticino architecture, Tourism, Villa Heleneum, Julius von Bismarck



00231
Venice 2024: Switzerland & LAS Art Foundation fuse architecture & technology to create immersive worlds

Accademia di Belle Arti di Venezia, Fatima al Qadiri, Andrea Bellini, Afrofuturism, Centre d’Art Contemporain Genève, Civilisation, Guerreiro do Divino Amor, Digital, Immersive, LAS Art Foundation, Josèfa Ntjam, Ocean, Rome, Science fiction, Space, Subaqua, Technology, Venice Biennale, Worldbuilding, Switzerland



00148
A new way of seeing: Thomas Huber’s landscapes

Robert Barry

Robert Barry, Ferdinand Hodler, Thomas Huber, Lake, Lake Lugano, Lugano, MASI Lugano, Mountain, Museo d’arte della Svizzera Italiana, Painting, Luigi Rossi, Richard Seewald, Switzerland, Félix Vallotton, Mariane von Werefkin



00114
In-between design & art: the sinister sci-fi of Audrey Large & Théophile Blandet

Will Jennings

3D printing, Baroque, BRH+, Gian Lorenzo Bernini, Théophile Blandet, Barbara Brondi, Centre d’art Contemporain Genève, Chair, Craft, Design, Digital, Floor, France, Furniture, Geneva, HR Giger, Industrial, Will Jennings, Audrey Large, lighting, Melting, Morphosis, Ovid, Plastic, Product design, Marco Rainò, Rococo, Sculpture, Suminagashi, Switzerland, Wood



   

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