recessed.space

A biennale that makes all the right calls: MOMENTUM 13 in Norway

Art

Robert Barry

An interview with Peter Cook about Archigram, drawing & building

Delaine Le Bas is stitching stories at Newcastle Contemporary Art

Will Jennings

Burn the Sheets: an exhibition on the making of trans domesticity

Barney Pau

Goodwood & the art of slowing down

Venice Biennale, 28 days later

Yuki Sumner

Animals in the clouds: exploring deep-time landscape & art of the Biennale Gherdëina

Will Jennings
Carlo Zambon

Talar Aghbashian, Animals, Nassim Azarzar, Bark beetle, Yesmine Ben Khelil, Chiara Bersani, Alessandro Biggio, Ruth Beraha, Biennale Gherdëina, Birds, Bolzano, Coral, Helene Demetz, Dolomites, Esraa Elfeky, Andro Eradze, Karl Felix Drew, Fischburg Castle, GAMeC, Daniele Genadry, Lorenzo Giusti, Arnold Holzknecht, Michael Höpfner, Ingela Ihrman, Linda Jasmin Mayer, Will Jennings, Nadia Kaabi-Linke, Katia Kameli, Kulturhaus Luis Trenker, Ladin, Language, Landscape, Laurent Le Deunff, Manifesta, Marmot, Lin May Saeed, Mountain, Museion, Myth, Mythology, Nature, Ocean, Ortisei, Femmy Otten, Marta Papini, Performance, Plateau, Diana Policarpo, Sara Ouhaddou, Sea, Sculpture, South Tyrol, Tobias Tavella, Trentino, Urtijëi, Val Gardena, Julius von Bismarck, Walking, Wolf, Wood, Carlo Zambon

Venice 2024: Robert Zhao Renhui’s study of a Singaporean secondary forest

Animals, Coexistence, Colonisation, Edgeland, Film, Forest, Habitation, Military, Nature, Photography, Secondary forest, Sculpture, Singapore, Venice Biennale, Robert Zhao Renhui

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