︎
Post-industrial clay: the British Ceramics Biennial in Stoke-on-Trent
Veronica Simpson
Tolia Astakhishvili’s architectural excavation in Venice changes the way artists use the city
Will Jennings
An interview with Derrick Adams on the spaces of Black America
A visit to Hauser & Wirth LA: architecture, gardens, food & art
Edinburgh Art Festival 2025: our highlights
Learning how to live at Venice Biennale
Rob Fiehn
00216
Animals in the clouds: exploring deep-time landscape & art of the Biennale Gherdëina
Will Jennings
Carlo Zambon
Talar Aghbashian
,
Animals
,
Nassim Azarzar
,
Bark beetle
,
Yesmine Ben Khelil
,
Chiara Bersani
,
Alessandro Biggio
,
Ruth Beraha
,
Biennale Gherdëina
,
Birds
,
Bolzano
,
Coral
,
Helene Demetz
,
Dolomites
,
Esraa Elfeky
,
Andro Eradze
,
Karl Felix Drew
,
Fischburg Castle
,
GAMeC
,
Daniele Genadry
,
Lorenzo Giusti
,
Arnold Holzknecht
,
Michael Höpfner
,
Ingela Ihrman
,
Linda Jasmin Mayer
,
Will Jennings
,
Nadia Kaabi-Linke
,
Katia Kameli
,
Kulturhaus Luis Trenker
,
Ladin
,
Language
,
Landscape
,
Laurent Le Deunff
,
Manifesta
,
Marmot
,
Lin May Saeed
,
Mountain
,
Museion
,
Myth
,
Mythology
,
Nature
,
Ocean
,
Ortisei
,
Femmy Otten
,
Marta Papini
,
Performance
,
Plateau
,
Diana Policarpo
,
Sara Ouhaddou
,
Sea
,
Sculpture
,
South Tyrol
,
Tobias Tavella
,
Trentino
,
Urtijëi
,
Val Gardena
,
Julius von Bismarck
,
Walking
,
Wolf
,
Wood,
Carlo Zambon
00191
Venice 2024: Robert Zhao Renhui’s study of a Singaporean secondary forest
Animals
,
Coexistence
,
Colonisation
,
Edgeland
,
Film
,
Forest
,
Habitation
,
Military
,
Nature
,
Photography
,
Secondary forest
,
Sculpture
,
Singapore
,
Venice Biennale
,
Robert Zhao Renhui
00128
SH*T FACED: Lindsey Mendick’s ceramic self-reflection at Jupiter Artland
Will Jennings
Alcohol
,
Animals
,
Baroque
,
Binge drinking
,
Ceramics
,
Cigarettes
,
Dancing
,
Dovecot
,
Edinburgh
,
Edinburgh Art Festival
,
Film
,
Fungi
,
Will Jennings
,
Jupiter Artland
,
Lindsey Mendick
,
Monsters
,
Nighclub
,
Guy Oliver
,
Party
,
Rococo
,
Sculpture
,
Toilet
,
Urinals
,
Quench Gallery
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