recessed.space

V&A East Storehouse is a thrilling meta-museum for the future

Will Jennings

Helmut Lang’s bodily sculptures speak to the fragility of LA’s Schindler House

Will Jennings

Despite everything, Valentina Karga invites us to be well at Kunstmuseum Bochum

Alison Hugill

An interview with Kengo Kuma about his design for Lisbon’s Centro de Arte Moderna Gulbenkian

Will Jennings

A dislocated image of 14th century Siena at the National Gallery

Tom Denman

Marshmallow Laser Feast have created an immersive study of one of Kew Gardens’ oldest trees

Will Jennings

Animals in the clouds: exploring deep-time landscape & art of the Biennale Gherdëina

Will Jennings
Carlo Zambon

Talar Aghbashian, Animals, Nassim Azarzar, Bark beetle, Yesmine Ben Khelil, Chiara Bersani, Alessandro Biggio, Ruth Beraha, Biennale Gherdëina, Birds, Bolzano, Coral, Helene Demetz, Dolomites, Esraa Elfeky, Andro Eradze, Karl Felix Drew, Fischburg Castle, GAMeC, Daniele Genadry, Lorenzo Giusti, Arnold Holzknecht, Michael Höpfner, Ingela Ihrman, Linda Jasmin Mayer, Will Jennings, Nadia Kaabi-Linke, Katia Kameli, Kulturhaus Luis Trenker, Ladin, Language, Landscape, Laurent Le Deunff, Manifesta, Marmot, Lin May Saeed, Mountain, Museion, Myth, Mythology, Nature, Ocean, Ortisei, Femmy Otten, Marta Papini, Performance, Plateau, Diana Policarpo, Sara Ouhaddou, Sea, Sculpture, South Tyrol, Tobias Tavella, Trentino, Urtijëi, Val Gardena, Julius von Bismarck, Walking, Wolf, Wood, Carlo Zambon

Venice 2024: Robert Zhao Renhui’s study of a Singaporean secondary forest

Animals, Coexistence, Colonisation, Edgeland, Film, Forest, Habitation, Military, Nature, Photography, Secondary forest, Sculpture, Singapore, Venice Biennale, Robert Zhao Renhui

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