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V&A East Storehouse is a thrilling meta-museum for the future

Will Jennings

Helmut Lang’s bodily sculptures speak to the fragility of LA’s Schindler House

Will Jennings

Despite everything, Valentina Karga invites us to be well at Kunstmuseum Bochum

Alison Hugill

An interview with Kengo Kuma about his design for Lisbon’s Centro de Arte Moderna Gulbenkian

Will Jennings

A dislocated image of 14th century Siena at the National Gallery

Tom Denman

Marshmallow Laser Feast have created an immersive study of one of Kew Gardens’ oldest trees

Will Jennings













00119
A model of radical empathy: Barcelona’s architecture festival

Augmented reality, Ethel Baraona, Barcelona, Besler & Sons, Civic, Ada Colau, Jaume Collboni, Digital, El Clot, Victor Enrich, Equal Saree, Eva Franch i Gilabert, DHUB, Fermín Vázquez Arquitectos, Festival, Mar Gené, Gran Clariana Area, h3O Architects, Harrison Atelier, Daryan Knoblauch, Kosmos Architects, Landscape, MBM, Mercats dels Encants, Model Barcelona Architecture Festival, Farah Michel, Mycelium, Jean Nouvel, Parabase, Public space, Protest, Radical Empathy, Reuse, San Jordi, Torres Glòries, Tiffany B Whittaker, Urban design, Noa Yarkoni



00029
London’s Venetian garden of privatised earthly delights

Will Jennings

Architectural Association, The Building Centre, Built Works, Commons, The Decorators, Disability, The Garden of Earthly Delights, The Garden of Privatised Delights, Will Jennings, Madeleine Kessler, London, Museum of Architecture, Private space, Privatisation, Pub, Public space, Public Works, Studio Polpo, Unscene Architecture, Venice Biennale, Manijeh Verghese, vPPR Architects



   

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