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The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
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Venice Biennale 2025: part 1, the good
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Venice Biennale: Anxious voids in Ignasi Aballí's Spanish Pavilion
Ignasi Aballí
Architecture
,
Ignasi Aballí
,
Installation
,
Intervention
,
Institutional critique
,
Light
,
MAIO
,
Mapping
,
Sculpture
,
Site specific
,
Space
,
Spatial
,
Spain
,
Spanish Pavilion
,
Venice
,
Venice Biennale
,
Walls
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