︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00218
A department store of eclectic collections: Hetain Patel’s Artangel archive
Artangel
,
Collection
,
Collection
,
Craft
,
Croydon
,
Department store
,
ET
,
Grants
,
Hobby
,
Hetain Patel
,
Polly Pocket
,
Pub
,
Royal Academy
,
Shop
,
Site specific
,
Summer Exhibition
,
Wetherspoons
,
Wunderkammer
00055
Internal external: Marcus Coates’ Artangel films in Pimlico
Barney Pau
Artangel
,
Marcus Coates
,
Domestic
,
Film
,
Mental health
,
Barney Pau
,
Pimlico
,
Psychology
,
Psychosis
,
Site specific
,
Isabel Valli
00033
Venice Biennale: Anxious voids in Ignasi Aballí's Spanish Pavilion
Ignasi Aballí
Architecture
,
Ignasi Aballí
,
Installation
,
Intervention
,
Institutional critique
,
Light
,
MAIO
,
Mapping
,
Sculpture
,
Site specific
,
Space
,
Spatial
,
Spain
,
Spanish Pavilion
,
Venice
,
Venice Biennale
,
Walls
00025
Paisley Liberal Club: Politics, people, ruin & artistic subtlety
Bobby Jewell
David Dale Gallery & Studios
,
Glasgow
,
Heritage
,
Installation
,
Bobby Jewell
,
Stuart Middleton
,
Paisley
,
Site specific
00012
Riccardo Benassi’s interruption of a Geneva station
Riccardo Benassi
,
Geneva
,
Installation
,
Moving image
,
Jean Nouvel
,
Railway station
,
Site specific
,
Sound
,
Video
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Venice
Biennale 2025: part 3,
the 
