︎
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
00099
Carey Young: making space
Will Jennings
Camera
,
Capitalism
,
Commons
,
Court
,
John Dee
,
Factory
,
Film
,
Gender
,
Judge
,
Invisible
,
Will Jennings
,
Law
,
Legal
,
Lens
,
Male gaze
,
Mirror
,
Modern Art Oxford
,
Palais de Justice
,
Photography
,
Joseph Poelaert
,
Politics
,
Power
,
Reflection
,
WG Sebald
,
Sigma
,
Edward Soja
,
Space
,
Spatial
,
Text
,
Andy Warhol
,
Women
,
Carey Young
00033
Venice Biennale: Anxious voids in Ignasi Aballí's Spanish Pavilion
Ignasi Aballí
Architecture
,
Ignasi Aballí
,
Installation
,
Intervention
,
Institutional critique
,
Light
,
MAIO
,
Mapping
,
Sculpture
,
Site specific
,
Space
,
Spatial
,
Spain
,
Spanish Pavilion
,
Venice
,
Venice Biennale
,
Walls
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