︎
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
00074
ABBA’s endless now in a STUFISH spaceship
Laura Yuile
Jill Kennedy-McNeill
ABBA
,
Carpenters Estate
,
Jacques Derrida
,
Digital
,
Mark Fisher
,
Hauntology
,
Hologram
,
Jill Kennedy-McNeill
,
London
,
Music
,
Nostalgia
,
STUFISH
,
Technology
,
Theatre,
Laura Yuile
00060
Faded fairgrounds: Dave Clarkson’s sonic seaside trip
Album
,
Ambient
,
Amusement Park
,
Amusements
,
Ballroom
,
Dave Clarkson
,
Collage
,
Development
,
Dreamland
,
TS Eliot
,
Fairground
,
Funfair
,
Gentrification
,
Hauntology
,
Margate
,
Memory
,
Montage
,
Music
,
Nostalgia
,
Seaside
,
Soundscape
,
Sound art
,
Technology
,
The Waste Land
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