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Cerith Wyn Evans  glows in MAAT, Lisbon

Will Jennings

Ursula K Le Guin’s speculative cartography

Sam Moore

The house as self-portrait: John Soane’s words through an artistic gaze

Rochelle Roberts

The Orobie Biennial puts art into the Bergamasque Prealps

Will Jennings

recessed.space: Ground Collective communicate with silent rivers

Venice Biennale 2025: part 3, the
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Cerith Wyn Evans’ glows in MAAT, Lisbon

Will Jennings

AL_A, Belém, Electricity, Energy, Cerith Wyn Evans, Will Jennings, Amanda Levete, Light, Lisbon, MAAT, MAAT – Museum of Art, Architecture and Technology, Neon, Frank Stella, Tate Britain, David Tudor


   

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