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A dislocated image of 14th century Siena at the National Gallery

Tom Denman

Marshmallow Laser Feast have created an immersive study of one of Kew Gardens’ oldest trees

Will Jennings

10 galleries you should know about from Miart 2025 in Milan

The book & exhibitions of Hélène Binet’s photographs of Jewish country house
s

Poetically tending Derek Jarman’s garden: Modern Nature at the Barbican


Will Jennings

The message is the bottle: Claes Oldenburg & Coosje van Bruggen in Middlesbrough


Steve Taylor













00194
Venice 2024: an interview with Australia’s Golden Lion winner Archie Moore & architect Kevin O’Brien

Will Jennings

Aborigine, Archive, Australia, Ellie Buttrose, BVN Architecture, Chalk, Coroner, Darkness, Exhibition design, Family, Family tree, First Nation, Indigenous, Legal, Lighting, Archie Moore, Kevin O'Brien, Sky, Stars, Venice Biennale, Water, Window



00182
In bloom: Konstantin Zhukov‘s intimate & ephemeral Black Carnation

Will Ferreira Dyke

Archive, Black carnation, Cruising, Domestic, Will Ferreira Dyke, Ephemera, Gay, Intimacy, Latvia, LGBTQ+, Jose Esteban Muñoz, Neven, Photography, Queer, Riga, Sex, Soviet, Train ticket, Raymond Williams, Konstantin Zhukov



00169
Exploring the soft city of Saul Leiter

Will Jennings

6a architects, Archive, Black and white, City, East Village, Fashion, Fashion photography, Will Jennings, Saul Leiter, Manhattan, MK Gallery, New York, Anne Morin, Painting, Photography, Street photography, Urban



00118
Leonor Antunes: a frisson of form from the modernist archive

Lottie Whalen

Leonor Antunes, Archive, Bamboo, Bauhaus, Renu Bora, Cork, Briony Fer, Fruitmarket, Gossamer, Eileen Grey, Greta Grossman, Trude Guermonprez, Leslie Martin, Modernism, Alastair Morton, Marian Pepler, Charlotte Perriand, Pineapple leather, Rope, Rush, Sculpture, Eve Kosofsky Sedgwick, Silk, Sophie Taeuber-Arp, Sadie Speight, Texxture, Lottie Whalen, Women



00063
Maurice Broomfield’s Industrial Sublime: in conversation with Martin Barnes

Lara Chapman
Martin Barnes

Archive, Martin Barnes, Maurice Broomfield, Labour, Lara Chapman, Collection, Industry, Oil rig, Photography, Post industrial, Power station, Sublime, V&A, Victoria and Albert Museum, Workers


   

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