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At Stanford’s Cantor Arts Center, an exhibition viscerally presents the broken environments mankind’s progress has created
Will Jennings
Announcing Hypha Studios x recessed.space: an open call to exhibit in a postmodern icon
Manchester International Festival kicks off with an eclectic array of culture
How Uzbekistan’s incredible Sun Heliocomplex brought light to Venice Biennale
Will Jennings
A biennale that makes all the right calls: MOMENTUM 13 in Norway
Robert Barry
An interview with Peter Cook about Archigram, drawing & building
00261
The message is the bottle: Claes Oldenburg & Coosje van Bruggen in Middlesbrough
Steve Taylor
Cecil Balmond
,
Bottle of Notes
,
British Steel
,
Coosje van Bruggen
,
Nell Catchpole
,
James Cook
,
Rachel Deakin
,
Heritage
,
Jonathan Jones
,
Anish Kapoor
,
Middlesbrough
,
MIMA
,
Claes Oldenburg
,
Edgar Allan Poe
,
Regeneration
,
Sculpture
,
Steve Taylor
,
Teesside Combined Court Centre
,
Tenemos
,
Sam Venables
,
Venus
,
Webb-Ellis
,
Writing
00174
The serious play of Jacqueline Poncelet in her MIMA retrospective
Will Jennings
Anamie
,
Ceramics
,
Colour
,
Richard Deacon
,
Edgeware Road
,
Facade
,
Hurtwood Publishing
,
Japan
,
Will Jennings
,
Middlesbrough
,
MIMA
,
Elinor Morgan
,
New York
,
Pattern
,
Play
,
Jacqueline Poncelet
,
Royal College of Art
,
Sculpture
,
Seriousness
,
Snappy Snaps
,
Erik van Egeraat
,
Wallpaper
,
Wolverhampton College of Art
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