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From Bauhaus to birdhouse: world famous architects’ avian designs for charity
In search of oracular places at the 36th Ljubljana Biennale of Graphic Arts
Lorenzo Graf
Riccardo Buck
An interview with Mike Nelson on architectural sculpture & the making of place
Hypha Studios x recessed.space: Nina Oltarzewska is turning art inside
out
Will Jennings
Our highlights from Berlin Art Week 2025
Post-industrial clay: the British Ceramics Biennial in Stoke-on-Trent
Veronica Simpson
00261
The message is the bottle: Claes Oldenburg & Coosje van Bruggen in Middlesbrough
Steve Taylor
Cecil Balmond
,
Bottle of Notes
,
British Steel
,
Coosje van Bruggen
,
Nell Catchpole
,
James Cook
,
Rachel Deakin
,
Heritage
,
Jonathan Jones
,
Anish Kapoor
,
Middlesbrough
,
MIMA
,
Claes Oldenburg
,
Edgar Allan Poe
,
Regeneration
,
Sculpture
,
Steve Taylor
,
Teesside Combined Court Centre
,
Tenemos
,
Sam Venables
,
Venus
,
Webb-Ellis
,
Writing
00174
The serious play of Jacqueline Poncelet in her MIMA retrospective
Will Jennings
Anamie
,
Ceramics
,
Colour
,
Richard Deacon
,
Edgeware Road
,
Facade
,
Hurtwood Publishing
,
Japan
,
Will Jennings
,
Middlesbrough
,
MIMA
,
Elinor Morgan
,
New York
,
Pattern
,
Play
,
Jacqueline Poncelet
,
Royal College of Art
,
Sculpture
,
Seriousness
,
Snappy Snaps
,
Erik van Egeraat
,
Wallpaper
,
Wolverhampton College of Art
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