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Manchester International Festival kicks off with an eclectic array of culture
How Uzbekistan’s incredible Sun Heliocomplex brought light to Venice Biennale

Will Jennings
A biennale that makes all the right calls: MOMENTUM 13 in Norway
Art

Robert Barry
An interview with Peter Cook about Archigram, drawing & building
Delaine Le Bas is stitching stories at Newcastle Contemporary Art

Will Jennings
Burn the Sheets: an exhibition on the making of trans domesticity

Barney Pau













00261
The message is the bottle: Claes Oldenburg & Coosje van Bruggen in Middlesbrough

Steve Taylor

Cecil Balmond, Bottle of Notes, British Steel, Coosje van Bruggen, Nell Catchpole, James Cook, Rachel Deakin, Heritage, Jonathan Jones, Anish Kapoor, Middlesbrough, MIMA, Claes Oldenburg, Edgar Allan Poe, Regeneration, Sculpture, Steve Taylor, Teesside Combined Court Centre, Tenemos, Sam Venables, Venus, Webb-Ellis, Writing



00201
Jupiter Artland: a Scottish landscape packed with uncanny, playful & enormous art

Will Jennings

Laura Aldridge, Amethyst, Phyllida Barlow, Bonnington House, Pablo Bronstein, Henry Castle, Cemetery, Ceramics, Nathan Coley, Edinburgh, Edinburgh Art Festival, Folly, Forest, Fountain, Anya Gallaccio, Andy Goldsworthy, Antony Gormley, Gothic, Graveyard, Grotto, Ian Hamilton Finlay, Jacobean, Charles Jencks, Will Jennings, Jupiter, Jupiter Artland, Anish Kapoor, Landscape, Peter Liversidge, Rachel Maclean, Modern Institute, Painting, Cornelia Parker, Rock, Andrew Sims, Stone, Temple, Trees, Marc Quinn, Joana Vasconcelos, Water, Nicky Wilson, Robert Wilson, Woods



00049
Venice Biennale: an interview with Anish Kapoor

Anish Kapoor
Will Jennings

FWR Associati, Black, Galerie Kamel Mennour, Galleria Continua,Galleria dell’Accademia, Galleria Massimo Minini, Anish Kapoor, Kukje Gallery, Lisson Gallery, Andrea Palladio, Palazzo Manfrin, Barnett Newman, Psychology, Regen Projects, Saint Thomas, SCAI The Bathhouse, Space, Teatro Olimpico, Vantablack, Venice, Venice Biennale



   

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