︎
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
00302
The recessed.space highlights from Frieze Art Fair 2025
Bani Abidi
,
Caroline Achaintre
,
Arcadia Missa
,
Maryam Ayeen
,
Art fair
,
Ariamna Contino
,
Coulisse
,
Cylinder
,
Dastan
,
El Apartamento
,
Experimenter
,
Alex Hernández
,
Sea Hyun Lee
,
Onyeka Igwe
,
London
,
Marianne Fahmy
,
Frieze
,
Frieze London
,
Frieze Art Fair
,
Frith Street Gallery
,
Galerie Peter Kilchmann
,
Gypsum
,
Rim Park
,
Petrine
,
Jacqueline Poncelet
,
Alina Rentsch
,
Richard Saltoun Gallery
,
Abbas Shahsavar
,
Danyita Singh
,
Rafał Zajko
00174
The serious play of Jacqueline Poncelet in her MIMA retrospective
Will Jennings
Anamie
,
Ceramics
,
Colour
,
Richard Deacon
,
Edgeware Road
,
Facade
,
Hurtwood Publishing
,
Japan
,
Will Jennings
,
Middlesbrough
,
MIMA
,
Elinor Morgan
,
New York
,
Pattern
,
Play
,
Jacqueline Poncelet
,
Royal College of Art
,
Sculpture
,
Seriousness
,
Snappy Snaps
,
Erik van Egeraat
,
Wallpaper
,
Wolverhampton College of Art
TRAVEL
ABOUT
NEWSLETTER
INDEX
︎
