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An interview with Lord Cholmondeley on Houghton Hall’s history & future of contemporary art


Will Jennings

Listening to 17,000-year-old architecture: Oliver Beer at Thaddaeus Ropa
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Will Jennings

Curiosity triggered: Daiga Grantina’s sculptures dance with architecture at the Mead Gallery

Isabel de Vasconcellos
The Grand in Folkestone: ambitions plans for a Barbican-by-the-sea

Will Jennings
Our top ten highlights from Photo London as it enters a new era
Californian architects MAP are using AI to push a new frontier into uncanny valley

Steve Taylor










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The recessed.space highlights from Frieze Art Fair 2025

Bani Abidi, Caroline Achaintre, Arcadia Missa, Maryam Ayeen, Art fair, Ariamna Contino, Coulisse, Cylinder, Dastan, El Apartamento, Experimenter, Alex Hernández, Sea Hyun Lee, Onyeka Igwe, London, Marianne Fahmy, Frieze, Frieze London, Frieze Art Fair, Frith Street Gallery, Galerie Peter Kilchmann, Gypsum, Rim Park, Petrine, Jacqueline Poncelet, Alina Rentsch, Richard Saltoun Gallery, Abbas Shahsavar, Danyita Singh, Rafał Zajko



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The serious play of Jacqueline Poncelet in her MIMA retrospective

Will Jennings

Anamie, Ceramics, Colour, Richard Deacon, Edgeware Road, Facade, Hurtwood Publishing, Japan, Will Jennings, Middlesbrough, MIMA, Elinor Morgan, New York, Pattern, Play, Jacqueline Poncelet, Royal College of Art, Sculpture, Seriousness, Snappy Snaps, Erik van Egeraat, Wallpaper, Wolverhampton College of Art



   

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