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The house as self-portrait: John Soane’s words through an artistic gaze

Rochelle Roberts

The Orobie Biennial puts art into the Bergamasque Prealps

Will Jennings

recessed.space: Ground Collective communicate with silent rivers

Venice Biennale 2025: part 3, the
ugly

Venice Biennale 2025: part 2, the b
ad

Venice Biennale 2025: part 1, the good











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The Africa Centre: carefully unchoreographed architecture

Nyima Murry
Betty Owoo

Africa, The Africa Centre, Architecture, Building, Community, Diaspora, Freehaus, Interior, London, Sungi Mlengeya, Nyima Murry, Malangatana Ngwenya, Tola Ojuolape, Betty Owoo



   

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