︎
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
00232
An artist going places: Alia Farid at Oslo’s Henie Onstad Kunstsenter
Jelena Sofronijevic
Arabic
,
Artes Mundi
,
Chisenhale Gallery
,
Rachel Dedman
,
Diaspora
,
Drinking fountain
,
Environment
,
Alia Farid
,
Film
,
Henie Onstad Kunstsenter
,
Intercultural Museum
,
Iran
,
Iraq
,
Jameel Prize
,
Landscape
,
Lise Wilhelmsen Art Award
,
Kuwait
,
Oil
,
Oslo
,
Palestine
,
Phaidon
,
Puerto Rico
,
Ritual
,
Sculpture
,
Senegal
,
Sfeir-Semler Gallery
,
Jelena Sofronijevic
,
Tapestry
,
Vessel
,
Victoria & Albert Museum
,
Water
00113
Leighton House rediscovered: Evelyn De Morgan, Shahrzad Ghaffari & Nour Hage
Jelena Sofronijevic
Abstract
,
Anatomy
,
Arab British Centre
,
Arabic
,
Emilie Barrington
,
BDP
,
Walter Crane
,
Domestic
,
Drawing
,
Empire Lines
,
Evelyn De Morgan
,
William De Morgan
,
Fabric
,
Shahrzad Ghaffari
,
Geography
,
Gold
,
Nour Hage
,
Painting
,
Post colonial
,
Sarah Hardy
,
Frederick Leighton
,
Leighton House
,
Liberty
,
Morris & Co
,
Mural
,
Museum
,
Museum of the Year
,
Jelena Sofronijevic
,
Textile
TRAVEL
ABOUT
NEWSLETTER
INDEX
︎
