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The house as self-portrait: John Soane’s words through an artistic gaze

Rochelle Roberts

The Orobie Biennial puts art into the Bergamasque Prealps

Will Jennings

recessed.space: Ground Collective communicate with silent rivers

Venice Biennale 2025: part 3, the
ugly

Venice Biennale 2025: part 2, the b
ad

Venice Biennale 2025: part 1, the good











00291
Edinburgh Art Festival 2025: our highlights

Aqsa Arif, Bard, Collage, Colonialism, Siân Davey, Dovecot Studios, EAF, Edinburgh, Edinburgh Art Festival, Edinburgh Printmakers, Edinburgh Sculpture Workshop, Edinburgh University, Egypt, Fabric, Film, Fruitmarket, Garden, Louise Gibson, Andy Goldsworthy, Jonathan Glazer, Lewis Hetherington, Ingleby Gallery, IKEA, Ellis Jackson Kroese, Land art, Landscape, Leith, Lindean Mill Glass, Linder, Brandon Logan, CJ Mahony, Tiu Makkonen, Marionette, National Galleries of Scotland, Mike Nelson, Photography, Robert Powell, Royal Botanical Gardens Edinburgh, Sculpture, Wael Shawky, Stills, Sutherland Hussey Harris Architects, Talbot Rice, Trans, Jess White, Wildflowers, Outer Spaces, Queer



00124
Edinburgh Art Festival: a creative journey through the city’s buildings

Will Jennings

Lawrence Abu Hamdan, Aqsa Arif, Crystal Bennes, Birmingham, Sean Burns, Calton Hill, Collective, Colonisation, Andrew Cranston, Czech Republic, Decolonisation, Dorothy Towers, Edinburgh, Edinburgh Art Festival, Edinburgh Sculpture Workshop, Empire, Feminism, Film, French Institute, Installation, Ireland, Markéta Luskačová, Haven for Artists, Ingleby Gallery, Will Jennings, Adam Lewis Jacob, Jesse Jones, Rudy Kanhye, Ryosuke Kiyasu, Tarek Lakhrissi, Lebanon, Richard Maguire, Painting, Photography, Platform, Stills, Sutherland Hussey Harris Architects, Talbot Rice, Sebastian Thomas, Sculpture, Trinity Apse, Rabindranath X Bhose, Witch



   

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