︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00232
An artist going places: Alia Farid at Oslo’s Henie Onstad Kunstsenter
Jelena Sofronijevic
Arabic
,
Artes Mundi
,
Chisenhale Gallery
,
Rachel Dedman
,
Diaspora
,
Drinking fountain
,
Environment
,
Alia Farid
,
Film
,
Henie Onstad Kunstsenter
,
Intercultural Museum
,
Iran
,
Iraq
,
Jameel Prize
,
Landscape
,
Lise Wilhelmsen Art Award
,
Kuwait
,
Oil
,
Oslo
,
Palestine
,
Phaidon
,
Puerto Rico
,
Ritual
,
Sculpture
,
Senegal
,
Sfeir-Semler Gallery
,
Jelena Sofronijevic
,
Tapestry
,
Vessel
,
Victoria & Albert Museum
,
Water
00022
Deeper than surface: an interview with Navine G. Khan-Dossos
Navine G. Khan-Dossos
Will Jennings
Athens
,
Athens Bienniale
,
CCTV
,
Communication
,
Crossrail
,
Decoration
,
Desert
,
Geometry
,
House of Saint Barnabas
,
Murals
,
Navine Dossos
,
Kuwait
,
Landscape
,
Language
,
Nature
,
Orientalism
,
Ottoman
,
Painting
,
Palm Tree
,
Render
,
Sculpture
,
Walter Segal
,
Surveillance
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Venice
Biennale 2025: part 3,
the 
