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The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
00232
An artist going places: Alia Farid at Oslo’s Henie Onstad Kunstsenter
Jelena Sofronijevic
Arabic
,
Artes Mundi
,
Chisenhale Gallery
,
Rachel Dedman
,
Diaspora
,
Drinking fountain
,
Environment
,
Alia Farid
,
Film
,
Henie Onstad Kunstsenter
,
Intercultural Museum
,
Iran
,
Iraq
,
Jameel Prize
,
Landscape
,
Lise Wilhelmsen Art Award
,
Kuwait
,
Oil
,
Oslo
,
Palestine
,
Phaidon
,
Puerto Rico
,
Ritual
,
Sculpture
,
Senegal
,
Sfeir-Semler Gallery
,
Jelena Sofronijevic
,
Tapestry
,
Vessel
,
Victoria & Albert Museum
,
Water
00043
Venice Biennale: Creative games with Francis Alÿs
Afghanistan
,
Francis Alÿs
,
Belgian Pavilion
,
Belgium
,
City
,
Children
,
DR Congo
,
Games
, H
ong Kong
,
Iraq
,
Islamic State
,
Lithium
,
Mexico
,
Play
,
Painting
,
Venice
,
Venice Biennale
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