︎
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
00232
An artist going places: Alia Farid at Oslo’s Henie Onstad Kunstsenter
Jelena Sofronijevic
Arabic
,
Artes Mundi
,
Chisenhale Gallery
,
Rachel Dedman
,
Diaspora
,
Drinking fountain
,
Environment
,
Alia Farid
,
Film
,
Henie Onstad Kunstsenter
,
Intercultural Museum
,
Iran
,
Iraq
,
Jameel Prize
,
Landscape
,
Lise Wilhelmsen Art Award
,
Kuwait
,
Oil
,
Oslo
,
Palestine
,
Phaidon
,
Puerto Rico
,
Ritual
,
Sculpture
,
Senegal
,
Sfeir-Semler Gallery
,
Jelena Sofronijevic
,
Tapestry
,
Vessel
,
Victoria & Albert Museum
,
Water
00120
Dear Earth: shining artificial light on the climate crisis
Tim Waterman
John Berger
,
Edward Burtynsky
,
Imani Jacqueline Brown
,
Climate change
,
Forensic Architecture
,
John Gerrard
,
Donna Haraway
,
Environment
,
Hayward Gallery
,
Andreas Malm
,
Molotov cocktail
,
Richard Mosse
,
Nature
,
Oil
,
Hito Steyerl
,
Rishi Sunak
,
Anna Lowenhaupt Tsing
,
Tim Waterman
,
Yanomami people
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Venice
Biennale 2025: part 3,
the 
