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An interview with Sumayya Vally on architecture, community & Ibraaz

Swinging in the gallery: art meets golf at Battersea Arts Centre

An interview with Lord Cholmondeley on Houghton Hall’s history & future of contemporary art


Will Jennings

Listening to 17,000-year-old architecture: Oliver Beer at Thaddaeus Ropa
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Will Jennings

Curiosity triggered: Daiga Grantina’s sculptures dance with architecture at the Mead Gallery

Isabel de Vasconcellos

The Grand in Folkestone: ambitious plans for a Barbican-by-the-Sea










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Edinburgh Art Festival 2025: our highlights

Aqsa Arif, Bard, Collage, Colonialism, Siân Davey, Dovecot Studios, EAF, Edinburgh, Edinburgh Art Festival, Edinburgh Printmakers, Edinburgh Sculpture Workshop, Edinburgh University, Egypt, Fabric, Film, Fruitmarket, Garden, Louise Gibson, Andy Goldsworthy, Jonathan Glazer, Lewis Hetherington, Ingleby Gallery, IKEA, Ellis Jackson Kroese, Land art, Landscape, Leith, Lindean Mill Glass, Linder, Brandon Logan, CJ Mahony, Tiu Makkonen, Marionette, National Galleries of Scotland, Mike Nelson, Photography, Robert Powell, Royal Botanical Gardens Edinburgh, Sculpture, Wael Shawky, Stills, Sutherland Hussey Harris Architects, Talbot Rice, Trans, Jess White, Wildflowers, Outer Spaces, Queer



00201
Jupiter Artland: a Scottish landscape packed with uncanny, playful & enormous art

Will Jennings

Laura Aldridge, Amethyst, Phyllida Barlow, Bonnington House, Pablo Bronstein, Henry Castle, Cemetery, Ceramics, Nathan Coley, Edinburgh, Edinburgh Art Festival, Folly, Forest, Fountain, Anya Gallaccio, Andy Goldsworthy, Antony Gormley, Gothic, Graveyard, Grotto, Ian Hamilton Finlay, Jacobean, Charles Jencks, Will Jennings, Jupiter, Jupiter Artland, Anish Kapoor, Landscape, Peter Liversidge, Rachel Maclean, Modern Institute, Painting, Cornelia Parker, Rock, Andrew Sims, Stone, Temple, Trees, Marc Quinn, Joana Vasconcelos, Water, Nicky Wilson, Robert Wilson, Woods



   

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