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Listening to 17,000-year-old architecture: Oliver Beer at Thaddaeus Ropa
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Will Jennings

Curiosity triggered: Daiga Grantina’s sculptures dance with architecture at the Mead Gallery

Isabel de Vasconcellos
The Grand in Folkestone: ambitions plans for a Barbican-by-the-sea

Will Jennings
Our top ten highlights from Photo London as it enters a new era
Californian architects MAP are using AI to push a new frontier into uncanny valley

Steve Taylor

The new Nederlands Fotomuseum reuses a Rotterdam warehouse & offers the city a new architectural approach

Will Jennings










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Edinburgh Art Festival 2025: our highlights

Aqsa Arif, Bard, Collage, Colonialism, Siân Davey, Dovecot Studios, EAF, Edinburgh, Edinburgh Art Festival, Edinburgh Printmakers, Edinburgh Sculpture Workshop, Edinburgh University, Egypt, Fabric, Film, Fruitmarket, Garden, Louise Gibson, Andy Goldsworthy, Jonathan Glazer, Lewis Hetherington, Ingleby Gallery, IKEA, Ellis Jackson Kroese, Land art, Landscape, Leith, Lindean Mill Glass, Linder, Brandon Logan, CJ Mahony, Tiu Makkonen, Marionette, National Galleries of Scotland, Mike Nelson, Photography, Robert Powell, Royal Botanical Gardens Edinburgh, Sculpture, Wael Shawky, Stills, Sutherland Hussey Harris Architects, Talbot Rice, Trans, Jess White, Wildflowers, Outer Spaces, Queer



00201
Jupiter Artland: a Scottish landscape packed with uncanny, playful & enormous art

Will Jennings

Laura Aldridge, Amethyst, Phyllida Barlow, Bonnington House, Pablo Bronstein, Henry Castle, Cemetery, Ceramics, Nathan Coley, Edinburgh, Edinburgh Art Festival, Folly, Forest, Fountain, Anya Gallaccio, Andy Goldsworthy, Antony Gormley, Gothic, Graveyard, Grotto, Ian Hamilton Finlay, Jacobean, Charles Jencks, Will Jennings, Jupiter, Jupiter Artland, Anish Kapoor, Landscape, Peter Liversidge, Rachel Maclean, Modern Institute, Painting, Cornelia Parker, Rock, Andrew Sims, Stone, Temple, Trees, Marc Quinn, Joana Vasconcelos, Water, Nicky Wilson, Robert Wilson, Woods



   

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