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A dislocated image of 14th century Siena at the National Gallery

Tom Denman

Marshmallow Laser Feast have created an immersive study of one of Kew Gardens’ oldest trees

Will Jennings

10 galleries you should know about from Miart 2025 in Milan

The book & exhibitions of Hélène Binet’s photographs of Jewish country house
s

Poetically tending Derek Jarman’s garden: Modern Nature at the Barbican


Will Jennings

The message is the bottle: Claes Oldenburg & Coosje van Bruggen in Middlesbrough


Steve Taylor













00263
The book & exhibitions of Hélène Binet’s photographs of Jewish country houses

Hélène Binet, Book, Juliet Carey, Country house, Abigail Green, Baron Hermann de Stern, House, Jewish, Jewish Country Houses, Liebermann Villa, Neil MacGregor, Photography, Profile Editions, Mies van der Rohe, Strawberry Hill House, University of Oxford, Villa La Montesca, Villa Tugendhat, Waddesdon Manor, Frances Waldegrave, Horace Walpole



00239
Books: Phyllida Barlow’s life in sculpture remembered

Book, Fiona Bradley, Chelsea School of Art, Construction, Destruction, Frances Morris, Fruitmarket, Fruitmarket Publishers, Hauser & Wirth, Hauser & Wirth Publishers, Place, Scale, Sculpture, Site, Slade School of Fine Art



00237
Books: this exploration of Adam Richards’ Nithurst house is unlike any other architectural publication

Adam Richards Architecture, A Matter of Life and Death, Book, Corinna Dean, Geoff Dyer, Adam Richards Architecture, House, Lund Humphries, Large Hadron Collider, Jeremy Musson, Paul Nash, Nithurst, Simon Norfolk, Rosa Nussbaum, Andrea Palladio, Nicholas Poussin, Emeric Pressburger, Adam Richards, Takero Shimazaki, South Downs National Park, Stalker, Andrei Tarkovsky, John Vanbrugh



00154
London of the Future: the culture of the capital in 2123

Will Jennings

Roma Agrawal, Airport, Book, Chromaphotography, Culture, Mark Brearley, Gillian Darley, Engineering, The Festival of Britain, Rob Fiehn, Future, Greenbelt, Heritage, History, Chris Hopkinson, Sarah Ichioka, Will Jennings, Indy Johar, Jude Kelly, London, Merrell, Lord Montagu of Bealieu, Motorway, Peter Murray, Adam Nathaniel Furman, Hugh Pearman, Planning, Radicalism, Neal Shasore, The South Bank, Southbank Centre, Squint Opera, The London Society



00152
Hugh Pearman on writing About Buildings

Hugh Pearman

David Adjaye, Amateur Architecture Studio, Elias Ashmole, The Ashmolean, Aviva Studios, Bayreuth Festspielhaus, Bladerunner, Lina Bo Bardi, Book, Carl Brandt, The British Museum, Otto Brückwald, Richard Burbage, Bernardo Buontalenti, CCTV, Chetwoods, Theo Crosby, Dulwich Picture Gallery, Gianfranco Franchini, Frank Gehry, The Globe Theatre, The Guggenheim Bilbao, Zaha Hadid, History, Bjarke Ingels, Jon Jerder, Langham Place Shopping Mall, Le Corbusier, Frank Lloyd Wright, The Louis Vuitton foundation, MAXXI, Ningbo History Museum, OMA, John Orrell, Magna Park, Andrea Palladio, Hugh Pearman, Renzo Piano, Polykleitos the Younger, The Pompidou Centre, Richard Rogers, The Royal Opera House, São Paulo Museum of Modern Art, Gottfried Semper, Hans Sloane, The Smithsonian National Museum of African American History and Culture, John Soane, Peter Street, The Sydney Opera House, Teatro Olimpico, The Theatre at Epidauros, The Uffizi, Jørn Utzon, Mies van der Rohe, Giorgio Vasari, Villa Tugendhat, Richard Wagner, Walt Disney Concert Hall, Yale University Press



   

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