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Manchester International Festival kicks off with an eclectic array of culture
How Uzbekistan’s incredible Sun Heliocomplex brought light to Venice Biennale

Will Jennings
A biennale that makes all the right calls: MOMENTUM 13 in Norway
Art

Robert Barry
An interview with Peter Cook about Archigram, drawing & building
Delaine Le Bas is stitching stories at Newcastle Contemporary Art

Will Jennings
Burn the Sheets: an exhibition on the making of trans domesticity

Barney Pau













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Our highlights from artgenève 2024

ArtGenève, Mathis Altmann, Monica de Cardenas, Dilecta, FMAC, Fondation Thalie, Fonds cantonal d'art contemporain Genève, Guillaume Fuchs, Geneva, Jean Gfeller, HEAD, Thomas Huber, JPP, Elisa Larvego, Amal Lin, Luts & Guggisberg, Zhenya Machneva, Montresso art Foundation, Ann Veronica Janssens, Justin Liam O’Brien, Rossi & Rossi, Semiose, Skopia, TILT, Remy Ugarte Vallejos, Vallois



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In-between design & art: the sinister sci-fi of Audrey Large & Théophile Blandet

Will Jennings

3D printing, Baroque, BRH+, Gian Lorenzo Bernini, Théophile Blandet, Barbara Brondi, Centre d’art Contemporain Genève, Chair, Craft, Design, Digital, Floor, France, Furniture, Geneva, HR Giger, Industrial, Will Jennings, Audrey Large, lighting, Melting, Morphosis, Ovid, Plastic, Product design, Marco Rainò, Rococo, Sculpture, Suminagashi, Switzerland, Wood



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Riccardo Benassi’s interruption of a Geneva station

Riccardo Benassi, Geneva, Installation, Moving image, Jean Nouvel, Railway station, Site specific, Sound, Video



   

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