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Folkestone Triennial looks deep in time, land & sea
At Stanford’s Cantor Arts Center, an exhibition viscerally presents the broken environments mankind’s progress has created

Will Jennings
Announcing Hypha Studios x recessed.space: an open call to exhibit in a postmodern icon
Manchester International Festival kicks off with an eclectic array of culture
How Uzbekistan’s incredible Sun Heliocomplex brought light to Venice Biennale

Will Jennings
A biennale that makes all the right calls: MOMENTUM 13 in Norway

Robert Barry













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Our highlights from artgenève 2024

ArtGenève, Mathis Altmann, Monica de Cardenas, Dilecta, FMAC, Fondation Thalie, Fonds cantonal d'art contemporain Genève, Guillaume Fuchs, Geneva, Jean Gfeller, HEAD, Thomas Huber, JPP, Elisa Larvego, Amal Lin, Luts & Guggisberg, Zhenya Machneva, Montresso art Foundation, Ann Veronica Janssens, Justin Liam O’Brien, Rossi & Rossi, Semiose, Skopia, TILT, Remy Ugarte Vallejos, Vallois



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In-between design & art: the sinister sci-fi of Audrey Large & Théophile Blandet

Will Jennings

3D printing, Baroque, BRH+, Gian Lorenzo Bernini, Théophile Blandet, Barbara Brondi, Centre d’art Contemporain Genève, Chair, Craft, Design, Digital, Floor, France, Furniture, Geneva, HR Giger, Industrial, Will Jennings, Audrey Large, lighting, Melting, Morphosis, Ovid, Plastic, Product design, Marco Rainò, Rococo, Sculpture, Suminagashi, Switzerland, Wood



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Riccardo Benassi’s interruption of a Geneva station

Riccardo Benassi, Geneva, Installation, Moving image, Jean Nouvel, Railway station, Site specific, Sound, Video



   

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