︎
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
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Our highlights from artgenève 2024
ArtGenève
,
Mathis Altmann
,
Monica de Cardenas
,
Dilecta
,
FMAC
,
Fondation Thalie
,
Fonds cantonal d'art contemporain Genève
,
Guillaume Fuchs
,
Geneva
,
Jean Gfeller
,
HEAD
,
Thomas Huber
,
JPP
,
Elisa Larvego
,
Amal Lin
,
Luts & Guggisberg
,
Zhenya Machneva
,
Montresso art Foundation
,
Ann Veronica Janssens
,
Justin Liam O’Brien
,
Rossi & Rossi
,
Semiose
,
Skopia
,
TILT
,
Remy Ugarte Vallejos
,
Vallois
00114
In-between design & art: the sinister sci-fi of Audrey Large & Théophile Blandet
Will Jennings
3D printing
,
Baroque
,
BRH+
,
Gian Lorenzo Bernini
,
Théophile Blandet
,
Barbara Brondi
,
Centre d’art Contemporain Genève
,
Chair
,
Craft
,
Design
,
Digital
,
Floor
,
France
,
Furniture
,
Geneva
,
HR Giger
,
Industrial
,
Will Jennings
,
Audrey Large
,
lighting
,
Melting
,
Morphosis
,
Ovid
,
Plastic
,
Product design
,
Marco Rainò
,
Rococo
,
Sculpture
,
Suminagashi
,
Switzerland
,
Wood
00012
Riccardo Benassi’s interruption of a Geneva station
Riccardo Benassi
,
Geneva
,
Installation
,
Moving image
,
Jean Nouvel
,
Railway station
,
Site specific
,
Sound
,
Video
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