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V&A East Storehouse is a thrilling meta-museum for the future

Will Jennings

Helmut Lang’s bodily sculptures speak to the fragility of LA’s Schindler House

Will Jennings

Despite everything, Valentina Karga invites us to be well at Kunstmuseum Bochum

Alison Hugill

An interview with Kengo Kuma about his design for Lisbon’s Centro de Arte Moderna Gulbenkian

Will Jennings

A dislocated image of 14th century Siena at the National Gallery

Tom Denman

Marshmallow Laser Feast have created an immersive study of one of Kew Gardens’ oldest trees

Will Jennings













00194
Venice 2024: an interview with Australia’s Golden Lion winner Archie Moore & architect Kevin O’Brien

Will Jennings

Aborigine, Archive, Australia, Ellie Buttrose, BVN Architecture, Chalk, Coroner, Darkness, Exhibition design, Family, Family tree, First Nation, Indigenous, Legal, Lighting, Archie Moore, Kevin O'Brien, Sky, Stars, Venice Biennale, Water, Window



00114
In-between design & art: the sinister sci-fi of Audrey Large & Théophile Blandet

Will Jennings

3D printing, Baroque, BRH+, Gian Lorenzo Bernini, Théophile Blandet, Barbara Brondi, Centre d’art Contemporain Genève, Chair, Craft, Design, Digital, Floor, France, Furniture, Geneva, HR Giger, Industrial, Will Jennings, Audrey Large, lighting, Melting, Morphosis, Ovid, Plastic, Product design, Marco Rainò, Rococo, Sculpture, Suminagashi, Switzerland, Wood



   

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