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Gaudí, Miró & Gomis at Casa Batlló: three artists in Barcelona
An interview with Sumayya Vally on architecture, community & Ibraaz
Swinging in the gallery: art meets golf at Battersea Arts Centre
An interview with Lord Cholmondeley on Houghton Hall’s history & future of contemporary art
Will Jennings
Listening to 17,000-year-old architecture: Oliver Beer at Thaddaeus Ropa
c
Will Jennings
Curiosity triggered: Daiga Grantina’s sculptures dance with architecture at the Mead Gallery
Isabel de Vasconcellos
00184
Nicole Wermers’ Day Care: disrupting smoothness at The Common Guild
Jonathan McAloon
Aluminium
,
Art Monthly
,
Business
,
Capital
,
Cleaners
,
Cleaning
,
Coorporate
,
Elevator
,
Floor
,
Glasgow
,
Hotel
,
Kunsthaus Glarus
,
Labour
,
Jonathan McAloon
,
Office
,
Plaster
,
Polish
,
Sculpture
,
Smoothness
,
The Common Guild
,
Nicole Wermers
,
Women
,
Work
00114
In-between design & art: the sinister sci-fi of Audrey Large & Théophile Blandet
Will Jennings
3D printing
,
Baroque
,
BRH+
,
Gian Lorenzo Bernini
,
Théophile Blandet
,
Barbara Brondi
,
Centre d’art Contemporain Genève
,
Chair
,
Craft
,
Design
,
Digital
,
Floor
,
France
,
Furniture
,
Geneva
,
HR Giger
,
Industrial
,
Will Jennings
,
Audrey Large
,
lighting
,
Melting
,
Morphosis
,
Ovid
,
Plastic
,
Product design
,
Marco Rainò
,
Rococo
,
Sculpture
,
Suminagashi
,
Switzerland
,
Wood
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