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You’re all invited to Jeremy Deller’s public party

Folkestone Triennial looks deep in time, land & sea
At Stanford’s Cantor Arts Center, an exhibition viscerally presents the broken environments mankind’s progress has created

Will Jennings
Announcing Hypha Studios x recessed.space: an open call to exhibit in a postmodern icon
Manchester International Festival kicks off with an eclectic array of culture
How Uzbekistan’s incredible Sun Heliocomplex brought light to Venice Biennale

Will Jennings













00193
Tony Cragg is refracting the English Baroque at Castle Howard

Baroque, Castle Howard, Tony Cragg, Drawing, English Baroque, Fire, Geology, Glass, Nicholas Hawksmoor, Landscape, Nature, Andrea Palladio, Chris Ridgway, Sculpture, John Vanbrugh, Jon Wood



00128
SH*T FACED: Lindsey Mendick’s ceramic self-reflection at Jupiter Artland

Will Jennings

Alcohol,  Animals, Baroque, Binge drinking, Ceramics, Cigarettes, Dancing, Dovecot, Edinburgh, Edinburgh Art Festival, Film, Fungi, Will Jennings, Jupiter Artland, Lindsey Mendick, Monsters, Nighclub, Guy Oliver, Party, Rococo, Sculpture, Toilet, Urinals, Quench Gallery



00114
In-between design & art: the sinister sci-fi of Audrey Large & Théophile Blandet

Will Jennings

3D printing, Baroque, BRH+, Gian Lorenzo Bernini, Théophile Blandet, Barbara Brondi, Centre d’art Contemporain Genève, Chair, Craft, Design, Digital, Floor, France, Furniture, Geneva, HR Giger, Industrial, Will Jennings, Audrey Large, lighting, Melting, Morphosis, Ovid, Plastic, Product design, Marco Rainò, Rococo, Sculpture, Suminagashi, Switzerland, Wood



00090
Histories collide with Todd Gray’s photographic portals

Baroque, Body, Colonialism, Fontainebleau, Ghana, History, Todd Gray, Michael Jackson, Layering, Lehmann Maupin, Music, Nature, Nude, Photography, Race, Allan Sekula,Silhouette, Slavery



   

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