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The John Soane x Minecraft collab that allows you to explore ancient architecture 

Cerith Wyn Evans  glows in MAAT, Lisbon

Will Jennings

Ursula K Le Guin’s speculative cartography

Sam Moore

The house as self-portrait: John Soane’s words through an artistic gaze

Rochelle Roberts

The Orobie Biennial puts art into the Bergamasque Prealps

Will Jennings

recessed.space: Ground Collective communicate with silent rivers










00193
Tony Cragg is refracting the English Baroque at Castle Howard

Baroque, Castle Howard, Tony Cragg, Drawing, English Baroque, Fire, Geology, Glass, Nicholas Hawksmoor, Landscape, Nature, Andrea Palladio, Chris Ridgway, Sculpture, John Vanbrugh, Jon Wood



00128
SH*T FACED: Lindsey Mendick’s ceramic self-reflection at Jupiter Artland

Will Jennings

Alcohol,  Animals, Baroque, Binge drinking, Ceramics, Cigarettes, Dancing, Dovecot, Edinburgh, Edinburgh Art Festival, Film, Fungi, Will Jennings, Jupiter Artland, Lindsey Mendick, Monsters, Nighclub, Guy Oliver, Party, Rococo, Sculpture, Toilet, Urinals, Quench Gallery



00114
In-between design & art: the sinister sci-fi of Audrey Large & Théophile Blandet

Will Jennings

3D printing, Baroque, BRH+, Gian Lorenzo Bernini, Théophile Blandet, Barbara Brondi, Centre d’art Contemporain Genève, Chair, Craft, Design, Digital, Floor, France, Furniture, Geneva, HR Giger, Industrial, Will Jennings, Audrey Large, lighting, Melting, Morphosis, Ovid, Plastic, Product design, Marco Rainò, Rococo, Sculpture, Suminagashi, Switzerland, Wood



00090
Histories collide with Todd Gray’s photographic portals

Baroque, Body, Colonialism, Fontainebleau, Ghana, History, Todd Gray, Michael Jackson, Layering, Lehmann Maupin, Music, Nature, Nude, Photography, Race, Allan Sekula,Silhouette, Slavery



   

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