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Delaine Le Bas is stitching stories at Newcastle Contemporary Art

Will Jennings
Burn the Sheets: an exhibition on the making of trans domesticity

Barney Pau
Goodwood & the art of slowing down
Venice Biennale, 28 days later

Yuki Sumner
Leonardo Drew has created a motionless explosion in the South London Gallery

Will Jennings

Empty chairs & liminal spaces: Alexandra Metcalf’s Gaaaaaaasp

Rochelle Roberts













00193
Tony Cragg is refracting the English Baroque at Castle Howard

Baroque, Castle Howard, Tony Cragg, Drawing, English Baroque, Fire, Geology, Glass, Nicholas Hawksmoor, Landscape, Nature, Andrea Palladio, Chris Ridgway, Sculpture, John Vanbrugh, Jon Wood



00128
SH*T FACED: Lindsey Mendick’s ceramic self-reflection at Jupiter Artland

Will Jennings

Alcohol,  Animals, Baroque, Binge drinking, Ceramics, Cigarettes, Dancing, Dovecot, Edinburgh, Edinburgh Art Festival, Film, Fungi, Will Jennings, Jupiter Artland, Lindsey Mendick, Monsters, Nighclub, Guy Oliver, Party, Rococo, Sculpture, Toilet, Urinals, Quench Gallery



00114
In-between design & art: the sinister sci-fi of Audrey Large & Théophile Blandet

Will Jennings

3D printing, Baroque, BRH+, Gian Lorenzo Bernini, Théophile Blandet, Barbara Brondi, Centre d’art Contemporain Genève, Chair, Craft, Design, Digital, Floor, France, Furniture, Geneva, HR Giger, Industrial, Will Jennings, Audrey Large, lighting, Melting, Morphosis, Ovid, Plastic, Product design, Marco Rainò, Rococo, Sculpture, Suminagashi, Switzerland, Wood



00090
Histories collide with Todd Gray’s photographic portals

Baroque, Body, Colonialism, Fontainebleau, Ghana, History, Todd Gray, Michael Jackson, Layering, Lehmann Maupin, Music, Nature, Nude, Photography, Race, Allan Sekula,Silhouette, Slavery



   

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