︎
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
Playtime at the Pavilions: Carmody Groarke at Dulwich Picture Gallery
Rob Fiehn
00162
Our highlights from artgenève 2024
ArtGenève
,
Mathis Altmann
,
Monica de Cardenas
,
Dilecta
,
FMAC
,
Fondation Thalie
,
Fonds cantonal d'art contemporain Genève
,
Guillaume Fuchs
,
Geneva
,
Jean Gfeller
,
HEAD
,
Thomas Huber
,
JPP
,
Elisa Larvego
,
Amal Lin
,
Luts & Guggisberg
,
Zhenya Machneva
,
Montresso art Foundation
,
Ann Veronica Janssens
,
Justin Liam O’Brien
,
Rossi & Rossi
,
Semiose
,
Skopia
,
TILT
,
Remy Ugarte Vallejos
,
Vallois
00105
Melting into air: Ann Veronica Janssens at Pirelli HangarBicocca
Will Jennings
Carl Andre
,
Architecture
,
Marshall Berman
,
Bernd and Hiller Becher
,
Bicocca degli Arcimboldi
,
Colour
,
Anne Teresa De Keersmaeker
,
Factory
,
Fog
,
Michel François
,
Fresco
,
Geometry
,
Glass
,
I-beam
,
Industry
,
Installation
,
Ann Veronica Janssens
,
Will Jennings
,
Anselm Kiefer
,
Light
,
Karl Marx
,
Material
,
Mirror
,
Modernism
,
Oscar Niemeyer
,
Pirelli HangarBicocca
,
Steve Reich
,
Smoke
,
Solidity
,
Sound
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INDEX
︎
Venice
Biennale 2025: part 3,
the 
