︎
Post-industrial clay: the British Ceramics Biennial in Stoke-on-Trent
Veronica Simpson
Tolia Astakhishvili’s architectural excavation in Venice changes the way artists use the city
Will Jennings
An interview with Derrick Adams on the spaces of Black America
A visit to Hauser & Wirth LA: architecture, gardens, food & art
Edinburgh Art Festival 2025: our highlights
Learning how to live at Venice Biennale
Rob Fiehn
00171
A lifetime of ellipses: Jane Harris’ paintings in Bordeaux’s big MÉCA
Nyima Murry
APT Gallery
,
BIG
,
Bordeaux
,
Bjarke Ingels Group
,
Ellipse
,
FREAKS architects
,
Jane Harris
,
The MÉCA
,
Nyima Murry
,
Painting
,
Phoenix Art Space
,
Rococo
,
Barry Schwabsky
00128
SH*T FACED: Lindsey Mendick’s ceramic self-reflection at Jupiter Artland
Will Jennings
Alcohol
,
Animals
,
Baroque
,
Binge drinking
,
Ceramics
,
Cigarettes
,
Dancing
,
Dovecot
,
Edinburgh
,
Edinburgh Art Festival
,
Film
,
Fungi
,
Will Jennings
,
Jupiter Artland
,
Lindsey Mendick
,
Monsters
,
Nighclub
,
Guy Oliver
,
Party
,
Rococo
,
Sculpture
,
Toilet
,
Urinals
,
Quench Gallery
00114
In-between design & art: the sinister sci-fi of Audrey Large & Théophile Blandet
Will Jennings
3D printing
,
Baroque
,
BRH+
,
Gian Lorenzo Bernini
,
Théophile Blandet
,
Barbara Brondi
,
Centre d’art Contemporain Genève
,
Chair
,
Craft
,
Design
,
Digital
,
Floor
,
France
,
Furniture
,
Geneva
,
HR Giger
,
Industrial
,
Will Jennings
,
Audrey Large
,
lighting
,
Melting
,
Morphosis
,
Ovid
,
Plastic
,
Product design
,
Marco Rainò
,
Rococo
,
Sculpture
,
Suminagashi
,
Switzerland
,
Wood
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