︎
Power & photography: picturing architecture in the 19th century
Josh Allen
Julian Opie & a virtual extension of place
Will Jennings
Entangled bodies in a queer black domestic: Jonathan Lyndon Chase
Teshome Douglas-Campbell
Nyima Murry
Radical salvage: Mike Nelson at the Hayward Gallery
Paul Dobraszczyk
Imagining architecture: Assassin’s Creed & Anglo Saxon Wincestre
Geometry in place: Sam Jacobs & Wassef Boutros-Ghali
Will Jennings
00086
Radical salvage: Mike Nelson at the Hayward Gallery
Paul Dobraszczyk
Asset strippers
,
JG Ballard
,
Hakim Bey,
Capitalism
,
Decay
,
Paul Dobraszczyk
,
Extinction
,
Extinction Beckons
,
Hayward Gallery
,
Industrial
,
Industry
,
Installation
,
Stanisław Lem
,
Machinery
,
Marxism
,
China Miéville
,
Mike Nelson
,
Pirates
,
Politics
,
Post-apocalyptic,
Marcus Rediker
,
Ruin
,
Salvage
,
Sculpture
,
Robert Smithson
,
Arkady and Boris Strugatsky
,
Temporary Autonomous Zones
,
John Turner
,
Evan Calder Williams
,
Peter Lamborn Wilson
00007
The New Orleans Art House, 2005-2011
Paul Dobraszczyk
Antepavilion
,
The Art House
,
Detroit
,
Paul Dobraszczyk
,
Gentrification
,
Housing
,
New Orleans
,
Hurricane Katrina
ABOUT
INDEX
︎
︎
Power & photography: picturing architecture in the 19th
century 
Julian Opie & a virtual extension of place
Entangled bodies in a queer black domestic: Jonathan Lyndon Chase
Geometry in place: Sam Jacobs & Wassef Boutros-Ghali
