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The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
00176
A Vitra exhibition & book showcase Iwan Baan’s architectural moments
James Haynes
Architectural photography
,
Iwan Baan
,
Construction
,
CCTV Building
,
China
,
Frank Gehry
,
James Haynes
,
Kéré Architecture
,
Mateo Kries
,
Rem Koolhaas
,
OMA
,
Photography
,
Starchitects
,
Toyo Ito & Associate
s,
Vitra Design Museum
,
Zaha Hadid Architects
00092
Ian Kiaer’s oblique shift of the white cube gallery
Will Jennings
Alison Jacques
,
Venice Biennale
,
Jessie Brennan
,
Drawing Room
,
Foreign Office Architects
,
Geometry
,
Do Ho Suh
,
Installation
,
Ian Kiaer
,
Rem Koolhaas
,
NOX
,
Oblique
,
Oosterhuis Associates
,
OMA
,
Painting
,
Claude Parent
,
Paris
,
Perspex
,
Mike Rundell
,
Tanoa Sasraku
,
Emily Speed
,
Lars Spuybroek
,
Zaha Hadid Architects
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