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The house as self-portrait: John Soane’s words through an artistic gaze

Rochelle Roberts

The Orobie Biennial puts art into the Bergamasque Prealps

Will Jennings

recessed.space: Ground Collective communicate with silent rivers

Venice Biennale 2025: part 3, the
ugly

Venice Biennale 2025: part 2, the b
ad

Venice Biennale 2025: part 1, the good











00287
Discover the culture & spaces that influence leading artists in a new book by Ben Luke

Marina Adams, A Brush With, JG Ballard, Book, Marcel Breur, Caravaggio, Michael Craig-Martin, Tacita Dean, Heni, Herzog & de Meuron, Roni Horn, House of Commons, Interview, Robert Irwin, Kinkaku-ji, Le Corbusier, Louisiana, Ben Luke, Cornelia Parker, Podcast, Pugin, Rome, Ryōan-ji, The Art Newspaper, Vincent Scully, Robert Smithson, Spiral Jetty, Stepwell, Clyfford Still, Do Ho Suh, Sarah Sze, Tate Modern, Charline von Heyl, Rachel Whiteread, Whitney, Stanley Whitney



00092
Ian Kiaer’s oblique shift of the white cube gallery  

Will Jennings

Alison Jacques, Venice Biennale, Jessie Brennan, Drawing Room, Foreign Office Architects, Geometry, Do Ho Suh, Installation, Ian Kiaer, Rem Koolhaas, NOX, Oblique, Oosterhuis Associates, OMA, Painting, Claude Parent, Paris, Perspex, Mike Rundell, Tanoa Sasraku, Emily Speed, Lars Spuybroek, Zaha Hadid Architects



   

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