︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00287
Discover the culture & spaces that influence leading artists in a new book by Ben Luke
Marina Adams
,
A Brush With
,
JG Ballard
,
Book
,
Marcel Breur
,
Caravaggio
,
Michael Craig-Martin
,
Tacita Dean
,
Heni
,
Herzog & de Meuron
,
Roni Horn
,
House of Commons
,
Interview
,
Robert Irwin
,
Kinkaku-ji
,
Le Corbusier
,
Louisiana
,
Ben Luke
,
Cornelia Parker
,
Podcast
,
Pugin
,
Rome
,
Ryōan-ji
,
The Art Newspaper
,
Vincent Scully
,
Robert Smithson
,
Spiral Jetty
,
Stepwell
,
Clyfford Still
,
Do Ho Suh
,
Sarah Sze
,
Tate Modern
,
Charline von Heyl
,
Rachel Whiteread
,
Whitney
,
Stanley Whitney
00092
Ian Kiaer’s oblique shift of the white cube gallery
Will Jennings
Alison Jacques
,
Venice Biennale
,
Jessie Brennan
,
Drawing Room
,
Foreign Office Architects
,
Geometry
,
Do Ho Suh
,
Installation
,
Ian Kiaer
,
Rem Koolhaas
,
NOX
,
Oblique
,
Oosterhuis Associates
,
OMA
,
Painting
,
Claude Parent
,
Paris
,
Perspex
,
Mike Rundell
,
Tanoa Sasraku
,
Emily Speed
,
Lars Spuybroek
,
Zaha Hadid Architects
TRAVEL
ABOUT
NEWSLETTER
INDEX
︎
Venice
Biennale 2025: part 3,
the 
