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The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
00246
Bradford 2025: an investment in cultural capital
Paul Dobraszczyk
1835 Gallery
,
Bradford
,
Bradford Live
,
Creative class
,
Cultural economy
,
Paul Dobraszczyk
,
Richard Florida
,
Steven Frayne
,
David Hockney
,
Impressions Gallery
,
Lister Mills
,
Lockwood and Mawson
,
Manchester
,
The National Science and Media Museum
,
The Peace Museum
,
Property development
,
RISE
,
Titus Salt
,
Salts Mill
,
UK City of Culture
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