︎
Tolia Astakhishvili’s architectural excavation in Venice changes the way artists use the city
Will Jennings
An interview with Derrick Adams on the spaces of Black America
A visit to Hauser & Wirth LA: architecture, gardens, food & art
Edinburgh Art Festival 2025: our highlights
Learning how to live at Venice Biennale
Rob Fiehn
The country’s newest stone circle has been created in Luton as a space for gathering & community
Will Jennings
00253
At Somerset House a sculptural barrier by artists Hylozoic/Desires opens up rich research into salt, land & empire
Will Jennings
William Chambers
,
Colonialism
,
Desert X
,
Empire
,
Fabric
,
Graham Foundation
,
Great Salt Hedge
,
Hedge
,
Hylozoic/Desires
,
India
,
India Art Fair
,
India Office
,
Infrastructure
,
Inland Customs Line
,
Will Jennings
,
Cliff Lauson
,
Research
,
Salt
,
Salt Office
,
Salton Sea
,
Kinnari Saraiya
,
Sculpture
,
Sharjah Biennial
,
Himali Singh Soin
,
David Soin Tappeser
,
Somerset House
,
Sound
,
Staircase
,
Tate Britain
,
Termite
,
Wardian case
00135
Build & unbuild: Coffey Architects’ Drawing Room
AHMM
,
Jessie Brennan
,
Coffey Architects
,
Drawing
,
Drawing Room
,
Housing
,
Ian Kiaer
,
London
,
London Square
,
Sculpture
,
Tanoa Sasraku
,
Emily Speed
,
Do Hu Suh
,
Staircase
,
Studio
,
The Tannery
,
Tannery Arts
,
Warehouse
00082
The silence of the staircase: Atiéna R. Kilfa’s Unhomely
Nyima Murry
Apartment
,
Camden Art Centre
,
Creak
,
Rainer Werner Fassbinder
,
Film
,
Floorboard
,
Gaze
,
Installation
,
Atiéna R Kilfa
,
Nyima Murry
,
Model
,
Stair
,
Staircase
,
Watching
TRAVEL
ABOUT
NEWSLETTER
INDEX
︎
