︎
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
00253
At Somerset House a sculptural barrier by artists Hylozoic/Desires opens up rich research into salt, land & empire
Will Jennings
William Chambers
,
Colonialism
,
Desert X
,
Empire
,
Fabric
,
Graham Foundation
,
Great Salt Hedge
,
Hedge
,
Hylozoic/Desires
,
India
,
India Art Fair
,
India Office
,
Infrastructure
,
Inland Customs Line
,
Will Jennings
,
Cliff Lauson
,
Research
,
Salt
,
Salt Office
,
Salton Sea
,
Kinnari Saraiya
,
Sculpture
,
Sharjah Biennial
,
Himali Singh Soin
,
David Soin Tappeser
,
Somerset House
,
Sound
,
Staircase
,
Tate Britain
,
Termite
,
Wardian case
00233
Venice 2024: the best of the rest
James Lee Byars
,
Italo Calvino
,
Canada
,
Wong Weng Cheong
,
Croatia
,
Czech Republic
,
Finland
,
Fondazione Querini Stampalia
,
Vlatka Horvat
,
Ireland
,
Istituto Veneto di Scienze Lettere ed Arti
,
Emilia Kabakov
,
Ilya Kabakov
,
K21–Kunstsammlung Nordrhein-Westfalen
,
Kapwani Kiwanga
,
Eva Koťátková
,
Seung-taek Lee
,
Pia Lindman
,
Macau
,
Julie Mehretu
,
Palazzo Grassi
,
Romania
,
Vidha Saumya
,
Șerban Savu
,
Jimali Singh Soin
,
David Soin Tappeser
,
Kaisa Sööt
,
Thaddaeus Ropac
,
Venice Biennale
,
Eimear Walshe
,
Michael Werner
,
Jenni-Juulia Wallinheimo-Heimonen
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Venice
Biennale 2025: part 3,
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