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You’re all invited to Jeremy Deller’s public party

Folkestone Triennial looks deep in time, land & sea
At Stanford’s Cantor Arts Center, an exhibition viscerally presents the broken environments mankind’s progress has created

Will Jennings
Announcing Hypha Studios x recessed.space: an open call to exhibit in a postmodern icon
Manchester International Festival kicks off with an eclectic array of culture
How Uzbekistan’s incredible Sun Heliocomplex brought light to Venice Biennale

Will Jennings













00253
At Somerset House a sculptural barrier by artists Hylozoic/Desires opens up rich research into salt, land & empire

Will Jennings

William Chambers, Colonialism, Desert X, Empire, Fabric, Graham Foundation, Great Salt Hedge, Hedge, Hylozoic/Desires, India, India Art Fair, India Office, Infrastructure, Inland Customs Line, Will Jennings, Cliff Lauson, Research, Salt, Salt Office, Salton Sea, Kinnari Saraiya, Sculpture, Sharjah Biennial, Himali Singh Soin, David Soin Tappeser, Somerset House, Sound, Staircase, Tate Britain, Termite, Wardian case



00233
Venice 2024: the best of the rest

James Lee Byars, Italo Calvino, Canada, Wong Weng Cheong, Croatia, Czech Republic, Finland, Fondazione Querini Stampalia, Vlatka Horvat, Ireland, Istituto Veneto di Scienze Lettere ed Arti, Emilia Kabakov, Ilya Kabakov, K21–Kunstsammlung Nordrhein-Westfalen, Kapwani Kiwanga, Eva Koťátková, Seung-taek Lee, Pia Lindman, Macau, Julie Mehretu, Palazzo Grassi, Romania, Vidha Saumya, Șerban Savu, Jimali Singh Soin, David Soin Tappeser, Kaisa Sööt, Thaddaeus Ropac, Venice Biennale, Eimear Walshe, Michael Werner, Jenni-Juulia Wallinheimo-Heimonen



   

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