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Learning how to live at Venice Biennale

Rob Fiehn
The country’s newest stone circle has been created in Luton as a space for gathering & community

Will Jennings
An interview with Ronald Rael about 3d printed mud architecture at Desert X
Discover the culture & spaces that influence leading artists in a new book by Ben Luke
Mark Leckey & Arthur Jafa summon ghosts into an ever-shifting shopping centre

Ellie Brown
A celebration of post-war utopian architecture for the people in a new book from photographer Robert Clayton












00253
At Somerset House a sculptural barrier by artists Hylozoic/Desires opens up rich research into salt, land & empire

Will Jennings

William Chambers, Colonialism, Desert X, Empire, Fabric, Graham Foundation, Great Salt Hedge, Hedge, Hylozoic/Desires, India, India Art Fair, India Office, Infrastructure, Inland Customs Line, Will Jennings, Cliff Lauson, Research, Salt, Salt Office, Salton Sea, Kinnari Saraiya, Sculpture, Sharjah Biennial, Himali Singh Soin, David Soin Tappeser, Somerset House, Sound, Staircase, Tate Britain, Termite, Wardian case



00233
Venice 2024: the best of the rest

James Lee Byars, Italo Calvino, Canada, Wong Weng Cheong, Croatia, Czech Republic, Finland, Fondazione Querini Stampalia, Vlatka Horvat, Ireland, Istituto Veneto di Scienze Lettere ed Arti, Emilia Kabakov, Ilya Kabakov, K21–Kunstsammlung Nordrhein-Westfalen, Kapwani Kiwanga, Eva Koťátková, Seung-taek Lee, Pia Lindman, Macau, Julie Mehretu, Palazzo Grassi, Romania, Vidha Saumya, Șerban Savu, Jimali Singh Soin, David Soin Tappeser, Kaisa Sööt, Thaddaeus Ropac, Venice Biennale, Eimear Walshe, Michael Werner, Jenni-Juulia Wallinheimo-Heimonen



   

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