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A biennale that makes all the right calls: MOMENTUM 13 in Norway
Art

Robert Barry
An interview with Peter Cook about Archigram, drawing & building
Delaine Le Bas is stitching stories at Newcastle Contemporary Art

Will Jennings
Burn the Sheets: an exhibition on the making of trans domesticity

Barney Pau
Goodwood & the art of slowing down
Venice Biennale, 28 days later

Yuki Sumner













00253
At Somerset House a sculptural barrier by artists Hylozoic/Desires opens up rich research into salt, land & empire

Will Jennings

William Chambers, Colonialism, Desert X, Empire, Fabric, Graham Foundation, Great Salt Hedge, Hedge, Hylozoic/Desires, India, India Art Fair, India Office, Infrastructure, Inland Customs Line, Will Jennings, Cliff Lauson, Research, Salt, Salt Office, Salton Sea, Kinnari Saraiya, Sculpture, Sharjah Biennial, Himali Singh Soin, David Soin Tappeser, Somerset House, Sound, Staircase, Tate Britain, Termite, Wardian case



00233
Venice 2024: the best of the rest

James Lee Byars, Italo Calvino, Canada, Wong Weng Cheong, Croatia, Czech Republic, Finland, Fondazione Querini Stampalia, Vlatka Horvat, Ireland, Istituto Veneto di Scienze Lettere ed Arti, Emilia Kabakov, Ilya Kabakov, K21–Kunstsammlung Nordrhein-Westfalen, Kapwani Kiwanga, Eva Koťátková, Seung-taek Lee, Pia Lindman, Macau, Julie Mehretu, Palazzo Grassi, Romania, Vidha Saumya, Șerban Savu, Jimali Singh Soin, David Soin Tappeser, Kaisa Sööt, Thaddaeus Ropac, Venice Biennale, Eimear Walshe, Michael Werner, Jenni-Juulia Wallinheimo-Heimonen



   

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