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From Bauhaus to birdhouse: world famous architects’ avian designs for charity
In search of oracular places at the 36th Ljubljana Biennale of Graphic Arts
Lorenzo Graf
Riccardo Buck
An interview with Mike Nelson on architectural sculpture & the making of place
Hypha Studios x recessed.space: Nina Oltarzewska is turning art inside
out
Will Jennings
Our highlights from Berlin Art Week 2025
Post-industrial clay: the British Ceramics Biennial in Stoke-on-Trent
Veronica Simpson
00253
At Somerset House a sculptural barrier by artists Hylozoic/Desires opens up rich research into salt, land & empire
Will Jennings
William Chambers
,
Colonialism
,
Desert X
,
Empire
,
Fabric
,
Graham Foundation
,
Great Salt Hedge
,
Hedge
,
Hylozoic/Desires
,
India
,
India Art Fair
,
India Office
,
Infrastructure
,
Inland Customs Line
,
Will Jennings
,
Cliff Lauson
,
Research
,
Salt
,
Salt Office
,
Salton Sea
,
Kinnari Saraiya
,
Sculpture
,
Sharjah Biennial
,
Himali Singh Soin
,
David Soin Tappeser
,
Somerset House
,
Sound
,
Staircase
,
Tate Britain
,
Termite
,
Wardian case
00233
Venice 2024: the best of the rest
James Lee Byars
,
Italo Calvino
,
Canada
,
Wong Weng Cheong
,
Croatia
,
Czech Republic
,
Finland
,
Fondazione Querini Stampalia
,
Vlatka Horvat
,
Ireland
,
Istituto Veneto di Scienze Lettere ed Arti
,
Emilia Kabakov
,
Ilya Kabakov
,
K21–Kunstsammlung Nordrhein-Westfalen
,
Kapwani Kiwanga
,
Eva Koťátková
,
Seung-taek Lee
,
Pia Lindman
,
Macau
,
Julie Mehretu
,
Palazzo Grassi
,
Romania
,
Vidha Saumya
,
Șerban Savu
,
Jimali Singh Soin
,
David Soin Tappeser
,
Kaisa Sööt
,
Thaddaeus Ropac
,
Venice Biennale
,
Eimear Walshe
,
Michael Werner
,
Jenni-Juulia Wallinheimo-Heimonen
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