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Cerith Wyn Evans  glows in MAAT, Lisbon

Will Jennings

Ursula K Le Guin’s speculative cartography

Sam Moore

The house as self-portrait: John Soane’s words through an artistic gaze

Rochelle Roberts

The Orobie Biennial puts art into the Bergamasque Prealps

Will Jennings

recessed.space: Ground Collective communicate with silent rivers

Venice Biennale 2025: part 3, the
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Chris Leslie’s studies of Glasgow before & after the Commonwealth Games

Bobby Jewell

Commonwealth Games, Dalmarnock, Demolition, Documentary, Gentrification, Glasgow, Bobby Jewell, Chris Leslie, Photography, Sport, Strange Field, Time



   

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