︎
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
00223
Venice 2024: Bulgaria & Serbia both create scenography to explore political histories
Bulgaria
,
Krasimira Butseva
,
Aleksander Denić
,
Exposition Coloniale
,
Michel Foucault
,
Heterotopia
,
History
,
Ideology
,
Labour camp
,
Memory
,
Nonplace
,
Prison
,
Serbia
,
Ksenija Samardžija
,
Scenography
,
Socialism
,
Theatre
,
The Neighbours
,
Venice Biennale
,
Vasil Vladimirov
TRAVEL
ABOUT
NEWSLETTER
INDEX
︎
