︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00304
Venice Biennale 2025: part 1, the good
Tea Ala-Ruona
,
AMO/OMA
,
Arsenale Institute for Political Representation
,
Tolia Astakhishvilli
,
Bahrain
,
John Baldessari
,
Barricades
,
Belgium
,
Bodies
,
Canada
,
Gaëlle Choisne
,
Albrecht Dürer
,
Fondazione Prada
,
Fondazione Querini Stampalia
,
Gallerie dell'Accademia
,
Giorgione
,
GRACE
,
Ireland
,
Rem Koolhaas
,
Living Room Collective
,
Luxembourg
,
Stefano Mancuso
,
Michelangelo
,
Montenegro
,
Museu Correr
,
Netherlands
,
Nicoletta Fiorucci Foundation
,
Nordic Pavilion
,
Hans Ulrich Obrist
,
OMA
,
Jorge Orta
,
Lucy Orta
,
Poland
,
Antonio Rizzo
,
Emir Šehanović
,
Serbia
,
Carlo Scarpa
,
Scuola Piccola Zattere
,
Harry Seidler
,
Slovenia
,
SMAC
,
Bas Smets
,
SPARC
,
Ivan Šuković
,
Sun Heliocomplex
,
Dejan Todorović
,
Uzbekistan
,
Venice
,
Venice Biennale
,
Leonardo da Vinci
,
Jung Youngsun
,
Miljana Zeković
00223
Venice 2024: Bulgaria & Serbia both create scenography to explore political histories
Bulgaria
,
Krasimira Butseva
,
Aleksander Denić
,
Exposition Coloniale
,
Michel Foucault
,
Heterotopia
,
History
,
Ideology
,
Labour camp
,
Memory
,
Nonplace
,
Prison
,
Serbia
,
Ksenija Samardžija
,
Scenography
,
Socialism
,
Theatre
,
The Neighbours
,
Venice Biennale
,
Vasil Vladimirov
TRAVEL
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INDEX
︎
Venice
Biennale 2025: part 3,
the 
