︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00211
Wakehurst: Kew Gardens’ meadow-filled outpost with art & insects
Bees
,
Tord Boontje
,
Alice Boyd
,
Donnacha Cahill
,
Colour
,
Fauna
,
Flora
,
Janine Griffiths-Lee
,
Heinrich & Palmer
,
Sid Hill
,
Horticulture
,
Insects
,
Kew Gardens
,
Landscape
,
Mansion
,
Martin Ashley Architects
,
Meadow
,
Millennium Seed Bank
,
Mud
,
National Trust
,
Nature
,
Catherine Nelson
,
Saroj Patel
,
Plants
,
Annabel Ross
,
Seeds
,
Stanton Williams
,
Wakehurst
,
Wildflower
00044
Goldsmiths degree show: the highlights
Will Alsop
,
Anthropocene
,
Archaeology
,
Baking
,
Tom Bull
,
Bones
,
Ceramics
,
Concrete
,
Degree show
,
Pascal Marcel Dreier
,
Ecology
,
Far right
,
Film
,
Flour
,
Foreshore
,
Ali Glover
,
Goldsmiths College
,
Grain
,
Homosexuality
,
Horticulture
,
Industrial
,
Installation
,
Jean-François Krebs
,
Luxury
,
Chris MacInnes
,
Marble
,
Monster
,
Mundanity
,
Notes
,
Office
,
Painting
,
Barney Pau
,
Queer
,
Rural
,
Sheffield
,
Thatch
,
Trauma
,
Trompe l'oeil
.
Jacob George Wilson
,
Scott Young
,
Sculpture
,
Sound
,
Thames
,
University of London
,
Video
,
Anna Wachsmuth
,
Warehouse
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Venice
Biennale 2025: part 3,
the 
