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Burn the Sheets: an exhibition on the making of trans domesticity

Barney Pau
Goodwood & the art of slowing down
Venice Biennale, 28 days later

Yuki Sumner
Leonardo Drew has created a motionless explosion in the South London Gallery

Will Jennings

Empty chairs & liminal spaces: Alexandra Metcalf’s Gaaaaaaasp

Rochelle Roberts

V&A East Storehouse is a thrilling meta-museum for the future

Will Jennings













00211
Wakehurst: Kew Gardens’ meadow-filled outpost with art & insects

Bees, Tord Boontje, Alice Boyd, Donnacha Cahill, Colour, Fauna, Flora, Janine Griffiths-Lee, Heinrich & Palmer, Sid Hill, Horticulture, Insects,  Kew Gardens, Landscape, Mansion, Martin Ashley Architects, Meadow, Millennium Seed Bank, Mud, National Trust, Nature, Catherine Nelson, Saroj Patel, Plants, Annabel Ross, Seeds, Stanton Williams, Wakehurst, Wildflower



00044
Goldsmiths degree show: the highlights

Will Alsop, Anthropocene, Archaeology, Baking, Tom Bull, Bones, Ceramics, Concrete, Degree show, Pascal Marcel Dreier, Ecology, Far right, Film, Flour, Foreshore, Ali Glover, Goldsmiths College, Grain, Homosexuality, Horticulture, Industrial, Installation, Jean-François Krebs, Luxury, Chris MacInnes, Marble, Monster, Mundanity, Notes, Office, Painting, Barney Pau, Queer, Rural, Sheffield, Thatch, Trauma, Trompe l'oeil. Jacob George Wilson, Scott Young, Sculpture, Sound, Thames, University of London, Video, Anna Wachsmuth, Warehouse



   

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