︎
Gathering land, food & tradition at the Eden Project
Will Jennings
From Kinga Oktabska’s studio: fragmented landscapes & found histories
Kinga Oktabska
SH*T FACED: Lindsey Mendick’s ceramic self-reflection at Jupiter Artland
Will Jennings
Disobeying order: Ranjani Shettar in the Barbican Conservatory
Cindy Huang
Seeing Things: how artists use Instagram
Lagos, Peckham, Repeat: a layering of place & people
Veronica Simpson
00091
Pilvi Takala’s cosplay critique of the neoliberal workplace
Will Wiles
Sophie Calle
,
Cosplay
,
Deloitte
,
Desk
,
Email
,
Film
,
Goldsmiths CCA
,
Mirror
,
Neoliberalism
,
Office
,
Tim Robinson
,
Roleplay
,
Second Home
,
Security
,
SelgasCan
o,
Shopping centre
,
Pilvi Takala
,
Tea Dance
,
Touching
,
Venice Biennale
,
WhatsApp
,
Will Wiles
,
Workplace
00044
Goldsmiths degree show: the highlights
Will Alsop
,
Anthropocene
,
Archaeology
,
Baking
,
Tom Bull
,
Bones
,
Ceramics
,
Concrete
,
Degree show
,
Pascal Marcel Dreier
,
Ecology
,
Far right
,
Film
,
Flour
,
Foreshore
,
Ali Glover
,
Goldsmiths College
,
Grain
,
Homosexuality
,
Horticulture
,
Industrial
,
Installation
,
Jean-François Krebs
,
Luxury
,
Chris MacInnes
,
Marble
,
Monster
,
Mundanity
,
Notes
,
Office
,
Painting
,
Barney Pau
,
Queer
,
Rural
,
Sheffield
,
Thatch
,
Trauma
,
Trompe l'oeil
.
Jacob George Wilson
,
Scott Young
,
Sculpture
,
Sound
,
Thames
,
University of London
,
Video
,
Anna Wachsmuth
,
Warehouse
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SH*T FACED: Lindsey Mendick’s ceramic self-reflection at
Jupiter Artland
