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Gaudí, Miró & Gomis at Casa Batlló: three artists in Barcelona
An interview with Sumayya Vally on architecture, community & Ibraaz

Swinging in the gallery: art meets golf at Battersea Arts Centre

An interview with Lord Cholmondeley on Houghton Hall’s history & future of contemporary art


Will Jennings

Listening to 17,000-year-old architecture: Oliver Beer at Thaddaeus Ropa
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Will Jennings

Curiosity triggered: Daiga Grantina’s sculptures dance with architecture at the Mead Gallery

Isabel de Vasconcellos










00184
Nicole Wermers’ Day Care: disrupting smoothness at The Common Guild

Jonathan McAloon

Aluminium, Art Monthly, Business, Capital, Cleaners, Cleaning, Coorporate, Elevator, Floor, Glasgow, Hotel, Kunsthaus Glarus, Labour, Jonathan McAloon, Office, Plaster, Polish, Sculpture, Smoothness, The Common Guild, Nicole Wermers, Women, Work



00091
Pilvi Takala’s cosplay critique of the neoliberal workplace

Will Wiles

Sophie Calle, Cosplay, Deloitte, Desk, Email, Film, Goldsmiths CCA, Mirror, Neoliberalism, Office, Tim Robinson, Roleplay, Second Home, Security, SelgasCano, Shopping centre, Pilvi Takala, Tea Dance, Touching, Venice Biennale, WhatsApp, Will Wiles, Workplace



00044
Goldsmiths degree show: the highlights

Will Alsop, Anthropocene, Archaeology, Baking, Tom Bull, Bones, Ceramics, Concrete, Degree show, Pascal Marcel Dreier, Ecology, Far right, Film, Flour, Foreshore, Ali Glover, Goldsmiths College, Grain, Homosexuality, Horticulture, Industrial, Installation, Jean-François Krebs, Luxury, Chris MacInnes, Marble, Monster, Mundanity, Notes, Office, Painting, Barney Pau, Queer, Rural, Sheffield, Thatch, Trauma, Trompe l'oeil. Jacob George Wilson, Scott Young, Sculpture, Sound, Thames, University of London, Video, Anna Wachsmuth, Warehouse



   

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