︎

Playtime at the Pavilions: Carmody Groarke at Dulwich Picture Gallery
aphic Arts

Rob Fiehn

From Bauhaus to birdhouse: world famous architects’ avian designs for charity

In search of oracular places at the 36th Ljubljana Biennale of Graphic Arts

Lorenzo Graf
Riccardo Buck

An interview with Mike Nelson on architectural sculpture & the making of place

Hypha Studios x recessed.space: Nina Oltarzewska is turning art inside
out

Will Jennings

Our highlights from Berlin Art Week 2025 

 











00184
Nicole Wermers’ Day Care: disrupting smoothness at The Common Guild

Jonathan McAloon

Aluminium, Art Monthly, Business, Capital, Cleaners, Cleaning, Coorporate, Elevator, Floor, Glasgow, Hotel, Kunsthaus Glarus, Labour, Jonathan McAloon, Office, Plaster, Polish, Sculpture, Smoothness, The Common Guild, Nicole Wermers, Women, Work



00091
Pilvi Takala’s cosplay critique of the neoliberal workplace

Will Wiles

Sophie Calle, Cosplay, Deloitte, Desk, Email, Film, Goldsmiths CCA, Mirror, Neoliberalism, Office, Tim Robinson, Roleplay, Second Home, Security, SelgasCano, Shopping centre, Pilvi Takala, Tea Dance, Touching, Venice Biennale, WhatsApp, Will Wiles, Workplace



00044
Goldsmiths degree show: the highlights

Will Alsop, Anthropocene, Archaeology, Baking, Tom Bull, Bones, Ceramics, Concrete, Degree show, Pascal Marcel Dreier, Ecology, Far right, Film, Flour, Foreshore, Ali Glover, Goldsmiths College, Grain, Homosexuality, Horticulture, Industrial, Installation, Jean-François Krebs, Luxury, Chris MacInnes, Marble, Monster, Mundanity, Notes, Office, Painting, Barney Pau, Queer, Rural, Sheffield, Thatch, Trauma, Trompe l'oeil. Jacob George Wilson, Scott Young, Sculpture, Sound, Thames, University of London, Video, Anna Wachsmuth, Warehouse



   

 TRAVEL   ABOUT   NEWSLETTER   INDEX   ︎