︎
Burn the Sheets: an exhibition on the making of trans domesticity

Barney Pau
Goodwood & the art of slowing down
Venice Biennale, 28 days later

Yuki Sumner
Leonardo Drew has created a motionless explosion in the South London Gallery

Will Jennings

Empty chairs & liminal spaces: Alexandra Metcalf’s Gaaaaaaasp

Rochelle Roberts

V&A East Storehouse is a thrilling meta-museum for the future

Will Jennings













00184
Nicole Wermers’ Day Care: disrupting smoothness at The Common Guild

Jonathan McAloon

Aluminium, Art Monthly, Business, Capital, Cleaners, Cleaning, Coorporate, Elevator, Floor, Glasgow, Hotel, Kunsthaus Glarus, Labour, Jonathan McAloon, Office, Plaster, Polish, Sculpture, Smoothness, The Common Guild, Nicole Wermers, Women, Work



00091
Pilvi Takala’s cosplay critique of the neoliberal workplace

Will Wiles

Sophie Calle, Cosplay, Deloitte, Desk, Email, Film, Goldsmiths CCA, Mirror, Neoliberalism, Office, Tim Robinson, Roleplay, Second Home, Security, SelgasCano, Shopping centre, Pilvi Takala, Tea Dance, Touching, Venice Biennale, WhatsApp, Will Wiles, Workplace



00044
Goldsmiths degree show: the highlights

Will Alsop, Anthropocene, Archaeology, Baking, Tom Bull, Bones, Ceramics, Concrete, Degree show, Pascal Marcel Dreier, Ecology, Far right, Film, Flour, Foreshore, Ali Glover, Goldsmiths College, Grain, Homosexuality, Horticulture, Industrial, Installation, Jean-François Krebs, Luxury, Chris MacInnes, Marble, Monster, Mundanity, Notes, Office, Painting, Barney Pau, Queer, Rural, Sheffield, Thatch, Trauma, Trompe l'oeil. Jacob George Wilson, Scott Young, Sculpture, Sound, Thames, University of London, Video, Anna Wachsmuth, Warehouse



   

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