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A dislocated image of 14th century Siena at the National Gallery

Tom Denman

Marshmallow Laser Feast have created an immersive study of one of Kew Gardens’ oldest trees

Will Jennings

10 galleries you should know about from Miart 2025 in Milan

The book & exhibitions of Hélène Binet’s photographs of Jewish country house
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Poetically tending Derek Jarman’s garden: Modern Nature at the Barbican


Will Jennings

The message is the bottle: Claes Oldenburg & Coosje van Bruggen in Middlesbrough


Steve Taylor













00212
An invitation into the sublime: the imaginary architectures of Al Held & Minoru Nomata

Will Jennings

9/11, AI, Archigram, Étienne-Louis Boullée, Colour, Constantin Brâncuși, Pieter Bruegel, Charles Burton, Climate, Crisis, Decay, Destruction, Peter Eisenman, Emptiness, Brian Eno, MC Escher, Exploration, Fukushima, Geometry, Zaha Hadid, Al Held, Hyperspace, Will Jennings, Landscape, Erich Mendelsohn, Oscar Niemeyer, Minoru Nomata, Painting, Joseph Paxton, IM Pei, Post apocalyptic, Reality, Bridget Riley, Richard Serra, Sinister, Robert Smithson, Sublime, Superstudio, Tokyo, Tokyo Tower, Tower, Twin Towers, Victor Vasarely, Robert Venturi, White Cube



00070
Queer Spaces: A world cruise of creative LGBTQ placemaking

AIDs, Andreas Angelidakis, Athens, Bangladesh, Biltmoderne, Bogotá, Buenos Aires, Community, Cruising, Dancing, Dhaka, Disco, Adam Nathaniel Furman, Gay, Homophobia, Homosexuality, Derek Jarman, LGBTQ, London, Joshua Mardell, Makati City, Melbourne, Mexico City, Timothy Moore, Nature, New York, RIBA, Rio de Janeiro, San Juan, Sex, Sexuality, Temporality, Tokyo, Transexual, Yannis Tsarouchis, Queer



   

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