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In search of oracular places at the 36th Ljubljana Biennale of Graphic Arts
An interview with Mike Nelson on architectural sculpture & the making of place
Hypha Studios x recessed.space: Nina Oltarzewska is turning art inside
out
Will Jennings
Our highlights from Berlin Art Week 2025
Post-industrial clay: the British Ceramics Biennial in Stoke-on-Trent
Veronica Simpson
Tolia Astakhishvili’s architectural excavation in Venice changes the way artists use the city
Will Jennings
00212
An invitation into the sublime: the imaginary architectures of Al Held & Minoru Nomata
Will Jennings
9/11
,
AI
,
Archigram
,
Étienne-Louis Boullée
,
Colour
,
Constantin Brâncuși
,
Pieter Bruegel
,
Charles Burton
,
Climate
,
Crisis
,
Decay
,
Destruction
,
Peter Eisenman
,
Emptiness
,
Brian Eno
,
MC Escher
,
Exploration
,
Fukushima
,
Geometry
,
Zaha Hadid
,
Al Held
,
Hyperspace
,
Will Jennings
,
Landscape
,
Erich Mendelsohn
,
Oscar Niemeyer
,
Minoru Nomata
,
Painting
,
Joseph Paxton
,
IM Pei
,
Post apocalyptic
,
Reality
,
Bridget Riley
,
Richard Serra
,
Sinister
,
Robert Smithson
,
Sublime
,
Superstudio
,
Tokyo
,
Tokyo Tower
,
Tower
,
Twin Towers
,
Victor Vasarely
,
Robert Venturi
,
White Cube
00070
Queer Spaces: A world cruise of creative LGBTQ placemaking
AIDs
,
Andreas Angelidakis
,
Athens
,
Bangladesh
,
Biltmoderne
,
Bogotá
,
Buenos Aires
,
Community
,
Cruising
,
Dancing
,
Dhaka
,
Disco
,
Adam Nathaniel Furman
,
Gay
,
Homophobia
,
Homosexuality
,
Derek Jarman
,
LGBTQ
,
London
,
Joshua Mardell
,
Makati City
,
Melbourne
,
Mexico City
,
Timothy Moore
,
Nature
,
New York
,
RIBA
,
Rio de Janeiro
,
San Juan
,
Sex
,
Sexuality
,
Temporality
,
Tokyo
,
Transexual
,
Yannis Tsarouchis
,
Queer
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